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Planeta Imaginario: Stretches in Spain
by Mark Redlefsen
Recently from Barcelona, Spain, members of the jazz/rock improv group Planeta Imaginario discussed their new recording Optical Delusions (Cuneiform Records, 2011) and the group's history. Keyboardist and group leader Marc Capel, who speaks Catalan, shared his thoughts through drummer and chief translator Vasco Trilla. Fretless bassist Dimitris Bikos also sat in for the interview.
Harris Eisenstadt: Canada Day II
by Mark Corroto
If you believe most recordings by drummer/composers are positive statements, then Harris Eisenstadt's Canada Day II is more than a glass half full. It is a brimming cup of music. The disc follows 2009's Canada Day, on Portugal's Clean Feed label, with the same lineup. Eisenstadt infuses each recording with a buoyancy and high-spiritedness, ...
Jim Hart: The Art of Juggling
by Alan Bryson
Jim Hart is one of the hottest young musicians on the U.K. jazz scene. His impressive skills are matched by a level of experience and maturity that belie his age. His musicianship elicited this praise from vibes heavyweight Joe Locke: “Some of the best music I've heard in a long time. Definitely the best vibes playing ...
Magnus Ostrom: Late Night Playing, Humble Playing
by Bruce Lindsay
As the drummer with the Esbjörn Svensson Trio (e.s.t.) Magnus Öström became one of the most successful European jazz musicians of the last twenty years. Influenced by a range of musics, his percussion style was a key element of the band's distinctive sound, while the Trio's success over the 15 years of its existence brought it ...
Yo Miles! Revisited: Lightning and Shinjuku
by John Kelman
Amongst the plethora of tributes to trumpet icon Miles Davis' electric period on Columbia, beginning with 1969's In a Silent Way and ending with 1975's Agharta and Pangaea, only a few stand out as being truly reverential--not just to the electrified energy and jungle funk of the music, but to its undeniably avant leanings as well. ...
Mark Isaacs Resurgence Band: Aurora
by C. Michael Bailey
The last artistic musical movement in jazz to be given a meaningful name was the post-bop movement. Arising out of the mid-1960s as a unifying response to hard bop, modal, the avant-garde and free jazz, post-bop has fairly well dominated the most creative jazz made in the last 30 years. If post-bop has a ground zero, ...
Luciano Troja: At Home with Zindars
by Ian Patterson
Italian pianist Luciano Troja--like saxophonist Cannonball Adderley, drummers Philly Joe Jones and Tony Williams, accordionist Dino Saluzzi, guitarists Larry Coryell and Emily Remler,and trumpeter Donald Byrd before him--discovered the beauty of pianist/composer Earl Zindars' music via the numerous interpretations of pianist Bill Evans. Enchanted by Zindars' compositions, Troja embarked on a five-year odyssey to meet the ...
Take Five With Tyson Ailshie
by AAJ Staff
Meet Tyson Ailshie: Tyson Ailshie hails from Denver, Colorado, where he writes and performs straight-ahead jazz music in trio and duo settings as a group leader. Combining original compositions with deep grooves and intimate settings of eclectic jazz standards, he is beginning to make a name for himself in the Denver area, having performed most recently ...
Joan Jeanrenaud: The Beat of the Moment
by Anil Prasad
Playing it safe is a concept in which cellist Joan Jeanrenaud has total disinterest. Her deep, varied career reflects a restless creative spirit that most recently manifested itself on Pop-Pop (Deconet, 2010), her duo album with producer and percussionist PC Muñoz. The disc seamlessly blends cello, classical, electronica, and hip-hop influences. But, perhaps, the most important ...
Mark Isaacs: Aurora
by John Kelman
As Tell It Like It Is (ABC Jazz, 2009), amply proved, sometimes it's better to work with local musicians who, through regular touring, establish a singular collective voice. That's not to say Resurgence (ABC Jazz, 2007) was bad--it's hard to imagine anything with bassist Jay Anderson, drummer Vinnie Colaiuta and saxophonist Bob Sheppard as lacking in ...
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