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Brian Auger: To Oblivion and Beyond
by Maurizio Comandini
Brian Auger is recognized as one of the most charismatic organists on the planet. For six decades he has stayed current through projects that were in sync with, and often ahead of, the times, thanks to a firm vision and well-chosen artistic partnerships. Through a career that has seen him play with the likes of Tony ...
Tony Williams: Life Time & Spring Revisited
by Maurizio Comandini
Tony Williams è uno dei più importanti batteristi della storia. Non solo del jazz, ma della musica in generale. Solitamente questa considerazione, ampiamente condivisa, fa riferimento alla sua lunga esperienza come batterista dei quintetti di Miles Davis della seconda metà degli anni sessanta ed eventualmente al suo ruolo di leader del gruppo Tony Williams Lifetime nato ...
Emma Rawicz: Incantation
by Chris May
Incantation is the debut album from British tenor saxophonist Emma Rawicz, whose playing has a degree of poise that is not often found in a teenager (she is nineteen years old) on their inaugural outing. It is not unprecedented, however, as we are reminded by the case of drummer Tony Williams, seventeen years old and brimming ...
John McLaughlin: Where Fortune Smiles
by Maurizio Comandini
L'invito che Tony Williams fece a John McLaughlin, chiamandolo a New York per far partire l'intensa avventura musicale denominata 'Tony Williams Lifetime,' arrivò proprio quando lo stesso McLaughlin aveva magicamente trovato un suo punto di equilibro. Dopo aver lasciato intravedere interessanti bagliori nell'eccellente disco Things We Like di Jack Bruce (registrato a Londra a fine agosto ...
Bill Frisell: Never Ending Revelations
by Ian Patterson
Touchstone Albums Picks is a new column from All About Jazz that invites artists to talk about the albums that have moved and inspired them and perhaps in some way informed their own music. In celebration of the publication of Bill Frisell, Beautiful Dreamer (Faber & Faber, 2022), Irish journalist Philip Watson's definitive biography of the ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Pepper Adams: Live at Room at the Top
by Mike Jurkovic
Recorded live in Alberta, Canada, in late September, 1972, Live at Room at the Top hits a top spot. Brought to light by intrepid saxophonist Cory Weeds and his archival Reel to Reel label (part of his Cellar Music Group) Pepper powers his way to the front of the bandstand poised, muscular and insistent with a ...
Meet Trumpeter Anthony Hervey
by Sanford Josephson
Anthony Hervey was in the sixth grade when he discovered jazz. “My mother encouraged me to play trumpet because my grandfather played trumpet," he said. “I was very reluctant to do so, but she convinced me to do it and said I could quit after a year if I wanted to." Then, Hervey was ...
Charles Mingus & Joni Mitchell: Jivin' with Joni: The Lost Recordings 1978-1979
by Mike Jurkovic
Looks like a bumper month of archival releases awaits the ever ready Mingus aficionado. First, in late April, 2022, Resonance Records unleashes The Lost Album from Ronnie Scott's. Just in time for Record Store Day (April 23) Candid Records releases a sweetly remastered Charles Mingus Presents Charles Mingus. Now, in a joint announcement from Jazz Workshop ...
Phase Dancing: Gottlieb, Wertico, Sanchez—The Art of Drumming in the Pat Metheny Group
by Joseph Vella
It was 1978 when I first heard “Phase Dance" on Bay Area jazz station KJAZ from a new band called the Pat Metheny Group (PMG). The music didn't just blow me away, it also spoke to me on such a deep level. Little did I know, it would stay with me forever. What the PMG did ...
