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177

News: Festival

Vision Festival 16 Opening Night; Echoes of Ascension, Marion Brown and John Tchicai.

Having covered the Panel Discussion for Sunday the music needs its due. Where else but the Vision Festival, in the US at least, would you find a night given to two participants in that legendary extended fanfare the world knows as Ascension. One still works among us, John Tchicai, and the other left us since Vision ...

88

Article: Album Review

Russ Lossing Trio: Oracle

Read "Oracle" reviewed by Mark Corroto


Pianist Russ Lossing's trio evokes a dreamlike state on Oracle, by communicating an atmosphere of unearthly elegance through trance-inducing energy. Lossing, bassist Masa Kamaguchi and drummer Billy Mintz commune at this level because they'd been a working trio for six years when this studio recording was made in 2007. Besides that, all three bring ...

171

News: Recording

Tony Malaby's Tamarindo Live!

Soprano-Tenor man Tony Malaby has been getting around much of late, appearing as a sideman or co-leader on quite a few dates, and putting together some very worthy sides as a leader. I'm now catching up with his latest, out a month or so, Tony Malaby's Tamarindo Live (Clean Feed 200). It certainly has clout and ...

210

Article: Album Review

Gerald Cleaver: Be It As I See It

Read "Be It As I See It" reviewed by John Sharpe


On his fourth disc as leader, and the first with his Uncle June ensemble, Detroit-native drummer Gerald Cleaver shoots for the stars. Though termed a sound collage based on the Great Migration, Be It As I See Itis not programmatic. Cleaver's approach is personal, celebrating the intelligence, strength and humor of the folks he grew up ...

277

Article: Album Review

Gerald Cleaver / Uncle June: Be It As I See It

Read "Be It As I See It" reviewed by Nic Jones


Drummer Gerald Cleaver has a CV which takes in names like Mario Pavone, Joe Morris, Charles Gayle and Roscoe Mitchell. Of these names it's the last which inspires not only Cleavers's music, but also his appetite for working in new musical forms, and striving for new forms of musical expression. It's hardly surprising, then, that Be ...

331

Article: Album Review

Gerald Cleaver / Uncle June: Be It As I See It

Read "Be It As I See It" reviewed by Mark F. Turner


Be It As I See It, Gerald Cleaver's fourth release as a leader, is an artistic vision of the Great Migration of African American families, in particular his family's movement from the rural South to the urban landscapes in the North, arriving at his home in Detroit, Michigan. The New York-based drummer/composer is a major player ...

315

Article: Multiple Reviews

Daniel Humair in the Lions' Dens

Read "Daniel Humair in the Lions' Dens" reviewed by Jeff Dayton-Johnson


Drummer Paul Motian is well-known for his “melodic" percussion, in which he skits and dodges arrhythmically, letting the guitars and saxophones mark the pulse of the composition. But for all the praise breathlessly--and deservedly--heaped upon Motian for this approach, the number of drummers who follow his example somewhere on this side of the free-jazz frontier, is ...

715

Article: Interview

Darius Jones: From Johnny Hodges To Noise Jazz

Read "Darius Jones: From Johnny Hodges To Noise Jazz" reviewed by AAJ Staff


Alto saxophonist Darius Jones--who won most critics' nomination for the best jazz newcomer album of 2009 for Man'ish Boy (A Raw And Beautiful Thing) (AUM Fidelity, 2009)--is a great fan of Johnny Hodges. He says that the lyrical Duke Ellington altoist is his hero, and this is pleasantly noticeable at the beginning of Man'ish Boy. It ...

705

Article: Live Review

Winter Jazzfest, New York City, Day 1: January 7, 2011

Read "Winter Jazzfest, New York City, Day 1: January 7, 2011" reviewed by Daniel Lehner


Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Since the informal move of jazz to the cities in the 1930s, the lore and legend of jazz compositions have lain in streets and places. The most common ones were the clubs, where innovations in jazz were ...

446

Article: Year in Review

2010: The Year in Jazz

Read "2010: The  Year in Jazz" reviewed by Ken Franckling


The jazz scene in 2010 was marked by a bit of cultural thaw between the U.S. and Cuba, royal honors for Marian McPartland that led honors galore for living jazz musicians, and significant acknowledgments for late jazz greats across North America. Efforts continued to expand jazz into new realms--or to hold on during the aftershocks of ...


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