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Gerald Cleaver: Be It As I See It
by John Sharpe
On his fourth disc as leader, and the first with his Uncle June ensemble, Detroit-native drummer Gerald Cleaver shoots for the stars. Though termed a sound collage based on the Great Migration, Be It As I See Itis not programmatic. Cleaver's approach is personal, celebrating the intelligence, strength and humor of the folks he grew up ...
Gerald Cleaver / Uncle June: Be It As I See It
by Nic Jones
Drummer Gerald Cleaver has a CV which takes in names like Mario Pavone, Joe Morris, Charles Gayle and Roscoe Mitchell. Of these names it's the last which inspires not only Cleavers's music, but also his appetite for working in new musical forms, and striving for new forms of musical expression. It's hardly surprising, then, that Be ...
Gerald Cleaver / Uncle June: Be It As I See It
by Mark F. Turner
Be It As I See It, Gerald Cleaver's fourth release as a leader, is an artistic vision of the Great Migration of African American families, in particular his family's movement from the rural South to the urban landscapes in the North, arriving at his home in Detroit, Michigan. The New York-based drummer/composer is a major player ...
Daniel Humair in the Lions' Dens
by Jeff Dayton-Johnson
Drummer Paul Motian is well-known for his “melodic" percussion, in which he skits and dodges arrhythmically, letting the guitars and saxophones mark the pulse of the composition. But for all the praise breathlessly--and deservedly--heaped upon Motian for this approach, the number of drummers who follow his example somewhere on this side of the free-jazz frontier, is ...
Darius Jones: From Johnny Hodges To Noise Jazz
by AAJ Staff
Alto saxophonist Darius Jones--who won most critics' nomination for the best jazz newcomer album of 2009 for Man'ish Boy (A Raw And Beautiful Thing) (AUM Fidelity, 2009)--is a great fan of Johnny Hodges. He says that the lyrical Duke Ellington altoist is his hero, and this is pleasantly noticeable at the beginning of Man'ish Boy. It ...
Winter Jazzfest, New York City, Day 1: January 7, 2011
by Daniel Lehner
Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Since the informal move of jazz to the cities in the 1930s, the lore and legend of jazz compositions have lain in streets and places. The most common ones were the clubs, where innovations in jazz were ...
2010: The Year in Jazz
by Ken Franckling
The jazz scene in 2010 was marked by a bit of cultural thaw between the U.S. and Cuba, royal honors for Marian McPartland that led honors galore for living jazz musicians, and significant acknowledgments for late jazz greats across North America. Efforts continued to expand jazz into new realms--or to hold on during the aftershocks of ...
Richard Andersson Sustainable Quartet: Please Recycle
by Mark Corroto
Danish bassist Richard Andersson organized this session, which attracts attention, at first glance, from the presence of saxophonist Tony Malaby, but then commands regard for all its players.Recorded after studying at the Manhattan School of Music, Andersson formed an alliance with two other players deserving wider recognition, pianist Sullivan Fortner and drummer Rogerio Boccato. ...
Twines of Colesion
By Tony Malaby
Label: Clean Feed Records
Released: 2010
Track listing:
1. (New) Loom; 2. Lisbon; 3. Fenix Culprit; 4. Hunter; 5. Le puits noir; 6. The Very
Thing; 7. Vitesse de laumière; 8. The Maze and the Loom.
Tutte le composizioni sono di Attias.
Voladores
By Tony Malaby
Label: Clean Feed Records
Released: 2010
Track listing:
01. Homogenous Emotions (O.Coleman); 02. Old Smokey; 03. Dreamy Drunk; 04. Can't Sleep; 05. Sour Diesel; 06. Los Voladores;
07. Are You Sure?; 08. YeSsssssss; 09. Wake Up, Smell Sumatra; 10. East Bay; 11. Lilas.
Tutte le composizioni sono di Tony Malaby tranne quelle indicate.
