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Results for "TONY MALABY"
Mark Helias - Tony Malaby - Tom Rainey: The Signal Maker
by Glenn Astarita
Celebrated bassist Mark Helias brings his all-star Open Loose trio back to the studio where compositions are reimagined, and heavy doses of improvisation are devised with a whole lot of cunningness. With these 13 pieces, the band infuses changeable and buoyantly rendered grooves, ideas, and detours, highlighted by the respective musicians' signature styles and striking intuitiveness. ...
Tony Malaby: Scorpion Eater
by Giuseppe Segala
Tubacello: un bel sincretismo lessicale per definire l'organico riunito da Tony Malaby in occasione di questo Scorpion Eater. L'accoppiata di tuba e violoncello (che con il termine tubacello diventano un unico strumento, fantastico) viene scelta dal sassofonista in sostituzione del contrabbasso e dà vita a una formazione di marcata duttilità, in grado di affrontare con efficacia ...
Matt Pavolka: The Horns Band
by Vincenzo Roggero
A dispetto della sua ventennale presenza sulla scena musicale newyorchese, apprezzato e trasversale collaboratore di musicisti quali Lee Konitz, Paul Motian, Ben Monder, Tony Malaby, per citarne alcuni, Matt Pavolka è solamente al suo secondo album da leader. Inspiegabilmente aggiungiamo noi, perché questo The Horns Band è album con i fiocchi e rivela le eccellenti doti ...
Juan Pablo Carletti/Tony Malaby/Christopher Hoffman: Niño/Brujo
by Mark Corroto
A funny thing happened on the way to a free jazz trio session. What's funny is that leader Juan Pablo Carletti brought seven unique compositions for his trio to perform. The Argentinian-born, New York-based drummer recruited tenor saxophonist Tony Malaby and cellist Christopher Hoffman for this recording. An inconspicuous drummer-led session. Carletti's last decade ...
Joachim Badenhorst: Forest // Mori
by Mark Corroto
Clarinetist Joachim Badenhorst probably doesn't know who Ray Johnson is, or was. He died 20 years ago. Johnson, the father of Mail Art, created a network of artists and patrons beginning in the1960s through his correspondences. He called them 'correspondances.' His mailings created a worldwide democratic system for art. Mail Art peaked pre-internet, in ...
Gebhard Ullmann/Basement Research: Hat And Shoes
by Mark Corroto
Saxophonist Gebhard Ullmann might be the German equivalent of Chicago's Ken Vandermark. Both players are influential composers and both maintain multiple creative ensembles in Europe and the United States. Like Vandermark, Ullmann's catalog is vast. Hat And Shoes is his 50th release as a leader or co- leader, and this band Basement Research have put out ...
Charlie Haden Memorial And Celebration Of His Life Tuesday, January 13, 2015 @ 7pm @ The Town Hall NYC
Family and friends, including many jazz greats, will come together to celebrate the life of CHARLIE HADEN (1937-2014), one of the most innovative and influential bassists in the history of jazz. A three-time Grammy winner, Haden has received many awards and accolades throughout his five-decade career including the Grammy Lifetime Achievement Award, the NEA Jazz Master ...
First Tucson Jazz Festival features Bacharach, Reeves, Cobb, Childs, DeFrancesco, more
By Patricia Myers The HSL Tucson Jazz Festival, a 13-day event from January 16-28 will feature both national and Arizona musicians, headlined by 86-year-old composer Burt Bacharach, 85-year old drummer and NEA Jazz Master Jimmy Cobb, and four 2015 Grammy-nominated musicians. Organist Joey DeFrancesco received a Best Jazz Instrumental nomination for Enjoy The View ...
Robert Bush Best of 2014
by Robert Bush
2014 proved a banner year for jazz recordings. Still, two of my favorite discs this year came in the form of previously unreleased material--the Jarrett Trio and Coltrane Quintet cannot be overlooked, in my opinion. Wadada Leo Smith The Great Lakes Suites (Tum Records) Keith Jarrett, ...
Now's the time III: The best in contemporary jazz from France and [tax haven] Luxembourg
by John Ephland
Every. One. Of. These. Tracks. Is. A. Keeper. To be swept up in a fervor when listening to music (always an unexpected pleasure) and finding it next to impossible not to write about the experience--during as well as after--is the dream all music journalists crave and celebrate every time they find themselves returning to that zone. ...


