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Results for "TONY MALABY"
Samo Salamon Bassless Trio: Little River
by Angelo Leonardi
Trentasette anni, nato a Maribor (Slovenia), Samo Salamon è un prolifico chitarrista, compositore e leader, che dal 2003 a oggi ha realizzato 18 album alla guida di propri gruppi. Il valore dei partner che l'hanno affiancato in questi anni chiarisce bene la considerazione che ottiene tra i colleghi, anche se presso il pubblico e gli addetti ...
Chris Lightcap's Bigmouth: Epicenter
by Luca Canini
Ha ancora senso parlare di mainstream? Esiste un jazz che guarda al futuro riuscendo allo stesso tempo ad essere immediatamente riconoscibile e masticabile anche da chi di jazz poco, o niente, ne capisce? Domande oziose soltanto all'apparenza. Che nel loro studiato candore squarciano il velo di una dicotomia che a uno sguardo distratto può apparire insanabile: ...
Chris Lightcap's Bigmouth: Epicenter
by Dave Wayne
Conceived as a continuous seven-part extended work for his band, Bigmouth, the first seven tracks on Chris Lightcap's Epicenter are as remarkable for their diversity as they are for the ways in which they're tied together. The unifying theme here is “New York: Lost and Found," and the music could indeed work as a sort of ...
Chris Lightcap's Bigmouth: Epicenter
by Budd Kopman
The closing track of bassist Chris Lightcap's muscular and vibrant Epicenter is a very intense and almost brutal version of Lou Reed's “All Tomorrow's Parties" from the 1967 release Velvet Underground & Nico. This tune, which is among Reed's most highly crafted works and which captures the essence of both the times and its subculture, is ...
Mark Helias Open Loose: The Signal Maker
by John Sharpe
Bassist Mark Helias runs a tight ship. Not in the sense of tricksy arrangements or impossible time signatures. It's more the laser sharp focus his accomplished Open Loose combo brings to the job in hand. And that job is breathing bustling and unpredictable life into the baker's dozen selections that constitute The Signal Maker, the unit's ...
Chris Lightcap's Bigmouth: Epicenter
by Mark F. Turner
"Nine South" from New York bassist Chris Lightcap's Epicenter ignites the rhythm sense with its undeniable influence from West African music. Written as part of a commissioned work granted by Chamber Music America New Jazz Works, the piece was inspired by Lightcap's routine drive into Manhattan. Propelled by contagious hooks, fiery solos, and powerful harmonies, the ...
Brilliant Corners Jazz Festival 2015
by Ian Patterson
Brilliant Corners Jazz FestivalBelfast, Ireland March 25-28 , 2015 Brilliant Corners may not be the biggest jazz festival in Northern Ireland--that accolade belongs to the City of Derry Jazz and Big Band Festival--but in just three editions it can already lay claim to being the best. Eschewing the populist ...
Juan Pablo Carletti / Tony Malaby / Christopher Hoffman: Niño/Brujo
by John Sharpe
For his debut album, NYC-based Argentinian drummer Juan Pablo Carletti has made some wise choices, even before one considers the music. Foremost among those is the selection of saxophonist Tony Malaby to front his trio. Malaby has a compelling track record of energising such threesomes, as evidenced by his 14 year tenure in bassist Mark Helias' ...
Chris Lightcap's Bigmouth: Epicenter
by Dan McClenaghan
The group is packed with some of the top stars of modern jazz, but it's with the collective and cohesive ensemble sound that bassist/composer Chris Lightcap's Bigmouth stands out. Hard-driving, electric, edgy, with a chip sitting firmly on its collective shoulders, Epicenter, Lightcap's ode to New York City, commissioned by Chamber Music America New Jazz Works, ...
Chris Lightcap's Bigmouth: Epicenter
by Mark Corroto
Chris Lightcap is a bassist's bassist. As a sideman to leaders such as Regina Carter, Matt Wilson, Joe Morris, Marc Ribot, and Craig Taborn, his rock-solid timekeeping can be quite inconspicuous. He is a sort of steadfast superglue that leaders and composers hold in high regard. As a leader and composer, there is another ...
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