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Gene Ammons: Boss Tenor
by Matthew Aquiline
Tenor saxophonist Gene Ammons' tone can be best described using the qualities of an ideally brewed cup of joe: rounded, bold, smooth, and exhilarating after first taste. Widely regarded as an original founder of the “Chicago school of tenor sax," Ammons' nonchalant, yet indelible sound--echoing the soft, breathy tone of Lester Young--drove him to ...
Greg Osby: Saxophone “Griot”
by Victor L. Schermer
The griot is a West African historian, storyteller, praise singer, poet and/or musician, a repository of oral tradition who is often seen as a societal leader. Saxophonist Greg Osby recently was excited to meet some griots on his travels. While he is originally from St. Louis, he himself is a griot in many senses of the ...
The Dan Trudell Trio: Dan Trudell Plays the Piano
by Angelo Leonardi
L'aver privilegiato a lungo l'Hammond B3 non ha indotto Dan Trudell ad abbandonare il pianoforte, strumento in cui s'è formato e diplomato alla North Texas State University. Trasferitosi a Chicago nel 1990 ha iniziato ad affiancare il ruolo di pianista a quello di organista formando un organico col batterista funk Clyde Stubblefield e iniziando un'apprezzata atività ...
Take Five with Chuck Redd
by AAJ Staff
About Chuck Redd Chuck Redd is an internationally well-known performer on both drums and vibraphone. He began his career when he joined the Charlie Byrd Trio at the age of 21. He also became a member of the Great Guitars (Barney Kessel, Byrd, and Herb Ellis.) To his credit are 25 European tours and six ...
James Hughes & Jimmy Smith Quintet: Ever Up & Onward
by Mark Sullivan
Detroit was once a vital jazz center, contributing some of the major hard bop artists of the 1960s: Hank, Thad, and Elvin Jones, Tommy Flanagan, Barry Harris, Paul Chambers, Kenny Burrell, and Ron Carter, just to name a few. The James Hughes & Jimmy Smith Quintet honors that tradition by playing mostly original hard bop with ...
Jazz Musician of the Day: Tommy Flanagan
All About Jazz is celebrating Tommy Flanagan's birthday today! Rarely has such unanimously unstinting praise been bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world class ranking with an equanimity, a modesty, an easy friendliness not always associated with ...
Co-Improvisation: Explaining the Magic
by Victor L. Schermer
When we listen to great jazz performances, we pay most attention to the soloists, some of whom become our musical heroes. In that respect, jazz is an affirmation of the individual, the uniqueness and liberation of either the “free and joyful spirit," of whom there was none greater than Louis Armstrong, or the arduous struggle of ...
Mateusz Palka/Szymon Mika Quartet: Popyt
by Ian Patterson
The title of the debut album from the Polish quartet co-led by Mateusz Palka and Szymon Mika translates as “demand," reflecting the group's belief that greater melodic expression is what the modern jazz fan pines for. It follows that the six originals--and a cover of Sonny Rollins' “Airegin"--are above all tuneful, with the extended soloing, that ...
Mirko Signorile: Waiting For You
by Angelo Leonardi
Esponente di punta dell'area jazzistica pugliese e già partner di Gianluca Petrella, Roberto Ottaviano e Gaetano Partipilo, il pianista Mirko Signorile ha espresso in poco più di un decennio (dal sorprendente esordio per la Soul Note con In Full Life e i successivi riconoscimenti della critica) un ricco corpus di opere comprendente sei album a suo ...
Aruan Ortiz Trio: Hidden Voices
by Dan McClenaghan
The jazz piano trio comes in a wide spectrum of approaches, from the traditional--Red Garland, Tommy Flanagan--to the way out there avant-garde, like Cecil Taylor. When the subject of “Cuban pianists" comes up, some of the first names that come to mind are probably those who work in a traditional vein: Chucho Valdes, perhaps, or maybe ...
