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Tommaso Starace: Blood & Champagne
by AAJ Italy Staff
Con un titolo piuttosto eloquente ed una foto di copertina “esplosiva" Tommaso Starace presenta il quarto album da leader, questa volta insieme ad una ritmica inglese di alto livello, caratterizzata dalla presenza dell'intringante basso elettrico di Laurence Cottle. Fra note veloci, come se fosse una chitarra, e un più ortodosso uso in funzione di accompagnamento, Cottle ...
Tommaso Starace Quartet: Blood & Champagne
by Bruce Lindsay
Somewhere in a parallel universe far, far away Tommaso Starace is fêted as one of the finest saxophonists in contemporary jazz. It's the only way to explain why Starace remains so underrated on this little world. Blood & Champagne, his fourth album, should bring Planet Earth into line. Starace has a distinctive, hard-edged, tone and a ...
It's Been A Very Good Year
by Bruce Lindsay
The New Year is past its infancy, leaving toddlerhood behind and heading into those difficult pre-school years. Olympic Fever jostles with a forthcoming Royal Wedding for the attentions of the Great British Public (at least according to the more populist media). Across the Atlantic, Esperanza Spalding won a first for jazz: the Grammy Award for Best ...
Plays The Photos Of Elliott Erwitt
Label: Frame
Released: 2006
Track listing: Keep Moving Please! Set Me Free (Lament Of A Mannequin); Goodbyes; Tickets
Tommaso Starace: Plays The Photos Of Elliott Erwitt
by Nic Jones
Here's further evidence of the fact that there's a whole lot of mileage left in the modern mainstream. There's a slightly acidic quality to Tommaso Starace's alto sax, which serves among other things to set him at some distance from many of the more common influences. On the level of a player, then, this puts him ...
