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2010 Tomasz Stanko "Dark Eyes" Tour Dates
Two for the Show Media will be handling all press for this tour. If you would like to schedule an interview with Tomasz Stanko please contact Chris DiGirolamo at 914-346-8677 or email him at: [email protected]. April 5 Seattle, WA (Triple Door) April 6 San Diego, CA (Anthology) April 7 Los Angeles, CA (Musician's Institute) April 9 ...
Komeda Project: Requiem
by Stuart Broomer
Krzysztof Komeda is a figure of immense significance in Polish jazz, in effect the musician who both gave it its original authentic voice and marked its place in the world. In the 15 years before his death in 1969, Komeda was active as bandleader and film composer, scoring films by Roman Polanski like Two Men and ...
Komeda Project: Bringing New Life to a Legend
by Bruce Lindsay
Komeda Project is dedicated to the music of the great Polish composer Krzysztof Komeda. Komeda died young--days before his 38th birthday. During his relatively short life, he composed numerous film scores and jazz tunes and was responsible for the seminal album Astigmatic (Muza Records, 1965)--one of Jazzwise Magazine's “100 Jazz Albums that Shook the World." It ...
Norm Stockton: Tea in The Typhoon
by C. Michael Bailey
West Coast freelance bassist Norm Stockton describes his instrumental music as, “contemporary jazz, but with wide influences including funk, fusion, rock, West African, and even a bit of classical." Indeed, not to mention an extroverted electric bass style that somehow retains the sheer technical power of Jaco Pastorius without the hubris. Stockton currently plays with the ...
Komeda Project: Requiem
by Eyal Hareuveni
Komeda Project's Requiem is released 40 years after the untimely death of the great Polish composer and pianist Krzysztof Komeda, best known for his original soundtracks to Roman Polanski's films Knife in the Water and Rosemary's Baby, as well as his work with great Polish trumpeter Tomasz Stanko. The European-American Komeda ensemble--pianist/arranger Andrzej Winnicki, trumpeter Russ ...
Tomasz Stanko: Dark Eyes
by AAJ Italy Staff
Chiuso il capitolo col quartetto, il trombettista polacco torna a collaborare con musicisti scandinavi disegnando nuove trame notturne e riproponendo l'essenza profonda della sua musica. Lo spettro timbrico è ampliato con l'ingresso del chitarrista elettrico Jakob Bro mentre quello ritmico assume nuova pregnanza grazie alle frammentazioni del batterista Olavi Louhivuori. Ancora una volta l'arte di Stanko ...
Tomasz Stanko Quintet at RNCM Theatre, Manchester
by David McLean
Tomasz Stanko Quintet RNCM Theatre Manchester, England October 11, 2009 The fire hinted at in Tomasz Stanko's most recent album, Dark Eyes (2009, ECM), has become the focal point of his new quintet's live operations. Whereas the trumpeter's latest ECM disc ferments with economical restraint and brooding atmosphere, the live incarnation of this material ...
Komeda Project: Requiem
by Chris May
Despite the snowballing emergence of European jazz musicians on the world stage, relatively few European jazz composers have, in 2009, made it into the global repertory, which continues to be dominated by American voices. Perhaps it always will be, and perhaps local singularities--Italian or British or Scandinavian or whatever--are in any case better treasured, rather than ...
Different Shades of Hess: Nikolaj Hess & Spacelab
by Jakob Baekgaard
The exploration of sound is a natural part of Danish pianist Nikolaj Hess' music. Since graduating from the Rhythmic Conservatory in Copenhagen, he has worked in a wide range of contexts and played with artists as varied as trumpeter Wynton Marsalis and singer Sissel Vera Pettersen. With Pettersen he made an enchanting duo album, By This ...
Tomasz Stanko Quintet: Dark Eyes
by David McLean
Tomasz Stanko Quintet Dark Eyes ECM Records 2009 It has been a regular event at the ECM label for artists to change line-ups after three albums. After a trio of releases with the prodigiously talented pianist Marcin Wasilewski--(Soul of Things (ECM, 2002), Suspended Night (ECM, 2003) and Lontano ...
