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Vicenza Jazz 2018 - Seconda parte
by Angelo Leonardi
Vicenza Jazz Varie sedi 10--20.05.2018 Proseguiamo con il festival vicentino, i cui primi concerti sono stati recensiti da Libero Farné. In una rassegna così ricca di appuntamenti --come sempre dislocati in vari luoghi cittadini e in differenti orari --è ovviamente impossibile seguire tutto e anche questa seconda parte verterà sui concerti serali ...
Zbigniew Seifert: Solo Violin
by Ian Patterson
In April 1974, a year after the break-up of Tomasz Stanko's first great quintet, Zbigniew Seifert gave his first solo violin concert. Another solo gig, two years later, produced the LP Solo Violin (EMI, 1978), which, thanks to the tireless efforts of the Zbigniew Seifert Foundation to promote Seifert's legacy, once more finds its way onto ...
Niran Dasika Quartet: Suzaku
by Dan McClenaghan
Trumpeter Niran Dasika grew up in Melbourne, Australia, and worked professionally as a musician in Tokyo, Japan, during 2016 and 2017. But his music sounds European, like an ECM Records outing by a group out of Norway or Poland. Polish trumpeter Tomasz Stanko and his New York Quartet come to mind with “Seek the Middle Ground," ...
Variospheres: Live in Solothurn
by Ian Patterson
When Tomasz Stańko's first classic quintet came to the natural end of its road in 1973, with all its members looking for new directions in music, violinist Zbigniew Seifert embarked on a solo career that saw him record a number of albums with very different line-ups. In fact, bar a brief period at the end of ...
Maciej Obara: Unloved
by Mario Calvitti
Al suo esordio su etichetta ECM, l'altosassofonista polacco Maciej Obara, classe 1981, è in realtà al suo nono disco da titolare, e al quarto (ma primo realizzato in studio) con il quartetto di cui è leader, completato dal connazionale pianista Dominic Wania (conosciuto quando entrambi militavano nel gruppo del trombettista Tomasz Stanko) e da una sezione ...
Jazzahead! 2018
by Henning Bolte
Bremen Trade Fair Hall Jazzahead! Bremen, Germany April 21-23, 2018 Jazzahead!, the three-day annual jazz marketplace marketplace of/for jazz in the Hanseatic city of Bremen in North-Western Germany with 3,283 participants from 61 countries stood strong and steady again this year. A total of 40 showcases over three ...
Arild Andersen/Paolo Vinaccia/Tommy Smith: In-House Science
by Karl Ackermann
Arild Andersen's superb trio with tenor saxophonist Tommy Smith and drummer Paolo Vinaccia had previously released two ECM albums, Live at Belleville (2008), and Mira (2014). Smith and Andersen joined the saxophonist's frequent collaborators, the Scottish National Jazz Orchestra for Celebration (2015) which included “Independency, Pt. 4" from Belleville. In-House Science is the second live album ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Verneri Pohjola Mika Kallio: Animal Image
by Roger Farbey
Animal Image is the remarkable soundtrack for the documentary film of the same name by the Finnish visual artist Perttu Saksa. Although the movie's duration is twenty eight minutes, the score composed and recorded by fellow Finns Verneri Pohjola and Mika Kallio actually runs to just north of thirty seven minutes, but any shorter would have ...
Bobo Stenson: Contra la indecision
by Karl Ackermann
With a few exceptions, Swedish pianist Bobo Stenson has spent his long recording career with the prestigious ECM label, dating back to his oddly named Underwear in 1971. That particular album turned out to be more a showcase for bassist Arild Andersen and drummer Jon Christensen than for Stenson, and the pianist did not lead again ...
