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Roseanna Vitro: Tell Me The Truth
by C. Michael Bailey
It is completely fitting that vocalist Roseanna Vitro conceive of and release a recording devoted to the music of the American South. But, this is not just any thoughtlessly-assembled concept recording. Vitro is the master of intelligently programmed and produced thematic albums as evidenced by: Catching Some Rays: The Music of Ray Charles (Telarc, 1997); The ...
Neil Slater: Legacy: Neil Slater at North Texas
by Karl Ackermann
In 1942, a University of North Texas graduate music student, M. E. Hall, was asked to teach dance band arranging to two students, an activity that led to his thesis on a closely related topic. That thesis developed into the foundation of the school's jazz curriculum. Years later, Hall helped launch the jazz program which included ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York
by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
Tim Ries With Randy Brecker at Drom
by Peter Jurew
Tim Ries with Randy BreckerDromNew York, NYJune 21, 2017 Saxophonist Tim Ries has made a name for himself internationally as a jazz educator and composer, leader and sideman. A master of tenor and soprano saxophones, since 2007, he's also known for playing in the Rolling Stones's horn section on several world ...
The Brett Gold New York Jazz Orchestra: Dreaming Big
by Jack Bowers
What's that you say? A New York-based Jazz Orchestra as admirable as this one whose recording debut was delayed for more than twenty-five years? There ought to be a law! Well, in this case it wasn't the law but a lawyer who sidetracked the orchestra's debut for so many years. His name is Brett Gold, and ...
The Brett Gold New York Jazz Orchestra Debuts With "Dreaming Big," Due June 16
The June 16th release of Dreaming Big (GoldFox Records), which marks the recording debut of the Brett Gold New York Jazz Orchestra and features the compositions of Brett Gold, illuminates a most intriguing jazz odyssey. A star trombonist in high school in his native Baltimore, Gold was steered away from a music career by his parents ...
Take Five With Patrick Zimmerli
by AAJ Staff
About Patrick Zimmerli New York-and Paris-based composer/saxophonist Patrick Zimmerli writes a sophisticated yet approachable hybrid of contemporary classical and jazz music. Recent collaborators include Joshua Redman, Brad Mehldau, Brooklyn Rider String Quartet, Brian Blade, Luciana Souza, the Knights Orchestra and the Escher String Quartet. His music has been performed at Carnegie Hall and Town Hall ...
PRISM Quartet: Heritage/Evolution, Volume 1
by Maurizio Zerbo
Il quartetto di sassofoni PRISM, composto da Timothy McAllister, Zachary Shemon, Matthew Levy e Taimur Sullivan, ha assorbito nel tempo gli stimoli più fecondi del jazz contemporaneo fino ad ospitare i più fulgidi sassofonisti di oggi. Heritage/Evolution distilla questa esperienza in un progetto rigoroso sul piano compositivo e dell'organizzazione dello spazio sonoro. Camaleonticamente cangianti, le musiche ...
Jazz Saxophonist/Composer David Rubel Announces Tour And Live Recording
Talented Jazz Saxophonist, Composer and Recording Artist David Rubel announces his 2015 SPRING TOUR and 'LIVE' RECORDING February 27th - March 7th Ottawa, Montreal, Richmond Hill, and Toronto Special Guest: Noted London, UK Vibraphonist Nat Steele 'LIVE' Recording will take place on MARCH 5th, 6th & 7th at Toronto's Premiere Jazz Performance Space Jazz ...
PRISM Quartet: Heritage/Evolution, Volume 1
by Karl Ackermann
Not quite as well-known as the World Saxophone Quartet or the Rova Saxophone Quartet, the PRISM Quartet practices a unique approach to this category of ensemble playing. In part, PRISM takes a more direct aim on improvisation as opposed to the more blended method of WSQ or the openly free style of Rova. More idiosyncratic is ...
