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6

Article: Interview

Thundercat: On Kendrick Lamar, Kamasi Washington, Erykah Badu and the great LA jazz renaissance

Read "Thundercat: On Kendrick Lamar, Kamasi Washington, Erykah Badu and the great LA jazz renaissance" reviewed by Rob Garratt


When, a few years back, the mainstream media began breathlessly anointing the arrival of a West Coast-born jazz “renaissance," Thundercat's name was invariably invoked second in the evidence list— behind, of course, that of his childhood buddy Kamasi Washington. While Washington's career has gone stratospheric—with a summer co-headline tour alongside Herbie Hancock the latest summit mounted—Thundercat ...

Article: Album Review

Justin Brown: Nyeusi

Read "Nyeusi" reviewed by Angelo Leonardi


34 anni, da quindici a New York, Justin Brown è noto per le sue partnership con Ambrose Akinmusire, Vijay Iyer, StefonHarris, Esperanza Spalding, Christian McBride, Thundercat e altri. Come si vede è un batterista dall'ampio spettro stilistico e questo suo debutto discografico da leader lo conferma ampiamente. La musica di Nyeusi è una ...

8

Article: Album Review

Joan Torres's All Is Fused: Revolution

Read "Revolution" reviewed by Paul Naser


Since the band's last record, Of The Musical (Self Produced, 2016), Joan Torres' All Is Fused has taken time to dig deeper into its influences and expand its sound. This year All Is Fused returns with an evolved vibe that finds it delving deep into fusion and Latin with a slight nod to the avant-garde and ...

5

Article: Take Five With...

Take Five with Black Tie Brass

Read "Take Five with Black Tie Brass" reviewed by AAJ Staff


About Black Tie Brass: Black Tie Brass is a horn driven jazz funk band. Lead by Ryan McNulty, most of the band met at college in New York and have been playing together since 2008 and formed BTB is 2013. We released our first self-titled album after a successful Kickstarter campaign in 2014. We ...

26

Article: Interview

Michael League: Snarky Puppy's Jazz-Schooled, Grassroots Visionary

Read "Michael League: Snarky Puppy's Jazz-Schooled, Grassroots Visionary" reviewed by Mike Jacobs


Bassist, composer, bandleader, sideman, producer, record label owner, festival head... These are some of the many hats Michael League has acquired since embarking on his musical odyssey at the University of North Texas with a “little" band named Snarky Puppy in 2003. With its Jazz-but-not-Jazz / Music for Brain and Booty ethos, multiple poll ...

2

Article: Live Review

Kamasi Washington at the Ogden Theatre

Read "Kamasi Washington at the Ogden Theatre" reviewed by Geoff Anderson


Kamasi Washington Ogden Theatre Denver, CO October 26, 2018 Kamasi Washington is an ambitious guy. His first major label album was a 3-CD release running 173 minutes, The Epic (Brainfeeder, 2015). He followed that up with a mere 6-song release, but most recently came out with yet another 3-CD set Heaven ...

4

Article: In Pictures

Headliners and Rising Stars at the 2018 Montreal International Jazz Festival

Read "Headliners and Rising Stars at the 2018 Montreal International Jazz Festival" reviewed by Dave Kaufman


Part 1 | Part 2 | Part 3 | Part 4This year marked one of the best and most well-balanced indoor (paid indoor events) and (free) outdoor lineups at the Festival International de Jazz de Montreal (FIJM). The strength of the lineup stretched across genres and also maintained a consistency over the course of ...

6

Article: Year in Review

Matt Hooke's Best Releases of 2017

Read "Matt Hooke's Best Releases of 2017" reviewed by Matt Hooke


2017 marked the first year that I wrote for All About Jazz, and I got to experience some phenomenal music. It was a diverse year in jazz, international artists like Tony Allen and Seckou Keita brought unique perspectives to jazz. Other artists like Chris Thile, Brad Mehldau, and Dayme Arocena, released some of their best work ...

Album

Drunk

Label: Brainfeeder
Released: 2017

24

Article: Album Review

Kamasi Washington: Harmony of Difference

Read "Harmony of Difference" reviewed by Phil Barnes


Being lauded as the “saviour of jazz" would weigh heavy on the shoulders of any young artist, even one so confident as to release a 170 minute treble CD as their 2015 debut. Yet Kamasi Washington pulled it off on the appropriately titled The Epic, with its ambitious, eclectic subject matter and surface similarities to spiritual ...


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