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82

Article: Album Review

Peter DiCarlo: Onward

Read "Onward" reviewed by Friedrich Kunzmann


On his debut record, New York-based alto saxophonist Peter DiCarlo establishes himself as a serious straight-ahead composer who skillfully combines an elegant alto tone with intricate reed and horn arrangements that are propelled forward by a swinging rhythm section. Dominated by a majority of self-penned hard and post-bop scores, Onward—in accordance with its title—pushes last century's ...

81

Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May


Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...

6

Article: Live Review

Steve Sandberg Trio at Soapbox Gallery

Read "Steve Sandberg Trio at Soapbox Gallery" reviewed by Mark Sullivan


Steve Sandberg Trio Soapbox Gallery Brooklyn, NY January 30, 2021 Pianist/composer Steve Sandberg presented a concert of his World Classical Music Project from Brooklyn's Soapbox Gallery, along with bassist Michael O'Brien and drummer Rudy Royston. It's a fascinating concept: Sandberg combines his love of the classical piano repertoire with new compositions ...

11

Article: Album Review

François Lana Trio: Cathédrale

Read "Cathédrale" reviewed by Troy Dostert


The title of Swiss-based pianist François Lana's latest release, Cathédrale, carries a two-fold significance. Its most obvious reference is to transcendence, something Lana affirms in the liner notes: “Music is a form of spirituality," but it can also be a reference to the sophisticated architectural approach Lana brings to his art. Not only the music, but ...

48

Article: Building a Jazz Library

Solo Recordings for Non-Traditionalists

Read "Solo Recordings for Non-Traditionalists" reviewed by Karl Ackermann


On January 24, 1975, a Bösendorfer 290 Imperial concert grand piano was to be wheeled onto the stage of the Cologne Opera House. Instead, a rehearsal piano, smaller, beaten-up, and out of tune, was the only instrument available to then twenty-nine-year-old piano prodigy Keith Jarrett. The pianist was not in much better shape than the piano. ...

9

Article: Album Review

New Faces: New Sounds

Read "New Sounds" reviewed by Kyle Simpler


It's refreshing to see younger artists gaining recognition in jazz circles. The energy and performances of such players often adds a sense of vitality to the music, and Posi-Tone Records has been at the forefront of bringing many of these emerging artists to the mainstream. In 2017, for example, Marc Free, the owner and producer of ...

10

Article: Album Review

Yoko Miwa Trio: Songs Of Joy

Read "Songs Of Joy" reviewed by Dan McClenaghan


A steady gig must be a Godsend to any jazz musician. The chance to work on stage and on schedule can be the cornerstone to artistic development and a melding of the ensemble mind. For pianist Yoko Miwa, that steady job was, for a decade and a half, at Les Zygomates Wine Bar and Bistro in ...

9

Article: Multiple Reviews

Archival Finds: Dave Brubeck, Bill Evans and Chet Baker

Read "Archival Finds: Dave Brubeck, Bill Evans and Chet Baker" reviewed by Jerome Wilson


Here are three releases of newly discovered material by iconic jazz musicians from the '50s and '60s. Two fall in line with the leaders' established legacies while the third presents its subject in surprising company. The Dave Brubeck Quartet Time OutTakes Brubeck Editions 2020 This CD consists ...

15

Article: Album Review

Kelvin Sholar Trio: Rites of Fire

Read "Rites of Fire" reviewed by Franz A. Matzner


A syncretic symphony, Kelvin Sholar's Rites of Fire is the product of 15 years of meditation on the history and esoteric mechanisms of musical expression. The richly satisfying album is unbounded by anything other than Sholar's relentless commitment to self-discovery. Sholar's own resurrection from clinical death to artistic and spiritual rebirth is embedded in the core ...

6

Article: Album Review

Craig Taborn: Compass Confusion

Read "Compass Confusion" reviewed by John Sharpe


Although a peerless pianist, Craig Taborn has been captivated by electronics since the age of 12, and he scratches that itch big-time on Compass Confusion. The role of post-production treatments in the creation of jazz records has a long history, from Orrin Keepnews piecing together the issued version of Thelonious Monk's 1956 classic “Brilliant Corners" from ...


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