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32

Article: Album Review

Russell Haight: Go Forth

Read "Go Forth" reviewed by Jack Bowers


Go Forth is exactly what saxophonist Russell Haight did after recording this tasteful album in July 2023, leaving the Dallas, Texas area where he had lived and worked for two decades, moving to New York City, the jazz capital of the world, to continue his musical journey among the elite in his profession. ...

22

Article: Multiple Reviews

OJC Odds & Ends: From Cal Tjader to Mal Waldron

Read "OJC Odds & Ends: From Cal Tjader to Mal Waldron" reviewed by C. Andrew Hovan


Once the vinyl renaissance confirmed that record labels could bring in a steady income just by tapping their holdings, they began combing their archives to fuel a steady stream of reissues. With a catalog of more than 1.2 million songs, Concord Records was uniquely positioned to capitalize on this resurgence. Its Craft Recordings subsidiary has emerged ...

17

Article: Interview

Meet Andy Bey

Read "Meet Andy Bey" reviewed by Chris M. Slawecki


From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...

3

Article: Album Review

Phillip Golub / Lesley Mok: Dream Brigade

Read "Dream Brigade" reviewed by John Sharpe


Pianist Phillip Golub and drummer Lesley Mok explore the porous boundaries between form and freedom on their exploratory debut as Dream Brigade, blending spontaneous composition with intuitive interplay in a wide-ranging program of six spontaneous inventions and two dives into the Great American Songbook. An in-demand side person, Mok can be heard in the ...

7

Article: Album Review

Silke Eberhard Trio with Jan Roder and Kay Lübke: Being-A-Ning

Read "Being-A-Ning" reviewed by Mark Corroto


It is rare to describe an audio recording as brave, but that is precisely what the latest release by the Silke Eberhard Trio is--bold, fearless, and unflinchingly original. Being-A-Ning, the group's fifth album, borrows its title from Thelonious Monk's “Rhythm-A-Ning," nodding to the jazz giant while continuing the trio's thematic naming convention. Previous albums--Being (2008) and ...

1

Article: Play This!

Thelonious Monk: Monk's Mood

Read "Thelonious Monk: Monk's Mood" reviewed by Geno Thackara


Thelonious Himself (Riverside, 1957) was a perfectly suitable title for a solo album showcasing the quirky essence of Thelonious Monk. It may forever be a mystery as to why he and/or producer Orrin Keepnews saw fit to add other players for the very last track, but whether it was out of place or not, we can ...

9

Article: Multiple Reviews

The Sun Rises Again on Strata-East Records

Read "The Sun Rises Again on Strata-East Records" reviewed by Joshua Weiner


Fans of classic post-bop, avant-garde, and spiritual jazz rejoiced at the news of Mack Avenue Music Group's partnership with Strata-East Records, a pioneering independent label founded in 1971 by trumpeter Charles Tolliver and pianist Stanley Cowell. Many Strata-East releases are being reissued on CDs, deluxe all-analogue vinyl LP packages, and digitally through streaming services, many for ...

1

Article: Radio & Podcasts

Sullivan Fortner, Sasha Berliner, Herbie Hancock

Read "Sullivan Fortner, Sasha Berliner, Herbie Hancock" reviewed by David Brown


This week on The Jazz Continuum, the spotlight turns to pianist and composer Sullivan Fortner, a dynamic presence in modern jazz. Known for his nuanced touch and bold improvisational voice, Fortner has made a mark through collaborations with vocalists Kurt Elling and Cécile McLorin Salvant, and through his acclaimed trio, solo, and duo recordings--including an intimate ...

20

Article: Groove Orbit

How Creedence Clearwater Revival Saved Jazz

Read "How Creedence Clearwater Revival Saved Jazz" reviewed by Kyle Simpler


By 1970, Creedence Clearwater Revival was arguably the biggest rock and roll group in America--if not the world. Songs like “Proud Mary" (Fantasy 1969), “Green River" (Fantasy 1969) and “Born on the Bayou" (Fantasy 1969) dominated both Top 40 and album-oriented radio, and their music continues to thrive decades later, becoming a staple of classic rock ...

6

Article: Live Review

Miles Okazaki and Bill Frisell at the Miller Theater

Read "Miles Okazaki and Bill Frisell at the Miller Theater" reviewed by Paul Reynolds


Miles Okazaki and Bill Frisell The Miller Theater, Columbia University New York, NY April 15, 2025 When musicians collaborate for the first time, the setlist usually settles around shared music they love and often play. For guitarists Bill Frisell and Miles Okazaki, in their debut as a duo on Tuesday, that ...


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