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How Jazz May Have Influenced The Beatles
by AAJ Staff
Introduction A publication from the French general knowledge “Tu Sais..." book series ("You Know..."), entitled “Tu Sais... Jazz," contains a final chapter on rock bands such as The Beatles and The Rolling Stones. It states that both the Beatles and the Stones “knew and loved old jazz and blues." From Paul McCartney's long familiarization with George ...
AllAboutJazz-New York October 2009 Issue Now Available!
When talking about the impact of Thelonious Monk, where does one begin? Is it his inimitable style and approach to the piano, one still being dissected today worldwide? Is it his body of compositional work, music absolutely essential to the repertoire of both the most straightahead and avant garde groups? Or perhaps his persona, defining the ...
Fred Hersch: No Limits
by Maxwell Chandler
From the start of his career as a sideman in the 1970s for such jazz luminaries as Joe Henderson, Art Farmer and Stan Getz to his own ensembles and solo projects, there has always been a great diversity and intensity to Fred Hersch's art. Having won a Guggenheim Memorial Fellowship for composition (2003) and having been ...
George Colligan: Come Together
by Raul d'Gama Rose
Mathematically, it would be well nigh impossible to count the multitude of sensory organs and multiplicity of fingers (and thumbs) at work in pianist George Colligan on Come Together. Sometimes they work in unison, while at other times quite independent of each other, to produce daring polytonality. In a voice as charismatic as an evangelist at ...
Ornette Coleman: Music is a Verb
by Warren Allen
"Some people think of music as being on some higher level," Ornette Coleman says by phone from his apartment in New York City. “But basically it's the human being that receives the pleasure from sound. Not from the argument over what it is." There are a lot of questions about Ornette Coleman and ...
Beep: You Are Special, You are a Special Friend
by Raul d'Gama Rose
Beep is a relatively recent recording band featuring pianist Michael Coleman, bassist Nate Brenner and new drummer Sam Ospovat. The music Beep plays might trot and skip, slide, gambol and rush breathlessly; sometimes streaking across a musical canvas that occasionally intersects with familiar sound. Was that a Thelonious Monk figure or did a Cecil Taylor-like run ...
Tanglewood Jazz Festival 2009, Lenox, MA
by R.J. DeLuke
Tanglewood Jazz FestivalLenox, MassachusettsSeptember 4-6, 2009 The annual Tanglewood Jazz Festival in western Massachusetts has become an intriguing mix of music over the years, its programming taking into account jazz masters, as well as young talent, and projects that are as new or at least a bit different; something that isn't experienced everywhere ...
Thelonious Monk the Life and Times of an American Original
"...[A] breath of fresh air amongst the biographies of our legendary jazz musicians. This book is thorough, detailed and written with a true affinity for Monk's humaneness and creative musical output." --Chick Corea Composer, performer, icon of the jazz world: Thelonious Sphere Monk broke rules of musical composition and created a body of work and a ...
Sonny Rollins: Saxophone Colossus
by Eric J. Iannelli
Bass drum. High hat. A primal, hollow beat in triple succession. The sequence repeats, increasingly accentuated with quick rim shot bursts and precision hits to the tom. Then, stage set, the sax leaps in. A bright Caribbean calypso melody, its refrain only twelve notes long. Its vibrancy and simplicity give it an instantaneous appeal--fitting, given the ...
Horace Tapscott: The Dark Tree
by Troy Collins
Due to his limited exposure outside of his native Los Angeles, pianist Horace Tapscott was largely unnoticed by the mainstream jazz press throughout his lengthy career. A galvanizing force in the Los Angeles scene, Tapscott co-founded the Underground Musicians Association (UGMA), later known as the Union of God's Musicians and Artists Ascension (UGMAA) in 1961, which ...
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