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414

Article: Multiple Reviews

Norberto Tamburrino: Solo and Ensemble

Read "Norberto Tamburrino: Solo and Ensemble" reviewed by Bruce Lindsay


Pianist Norberto Tamburrino is based in the sunny climes of southern Italy, but his jazz influences come for the most part from the thriving US scene of the 1940s, 1950s and 1960s. He's happy to credit Bud Powell, Hank Jones, Lennie Tristano and Art Tatum as influences, but above all it's the influence of Thelonious Monk ...

244

Article: Album Review

Paul Motian / Chris Potter / Jason Moran: Lost in a Dream

Read "Lost in a Dream" reviewed by Dan McClenaghan


Drummer Paul Motian seems to fit very comfortably into any musical situation, and elevate it. With a career that spans more than five decades--and seeming to begin at an early pinnacle with pianist Bill Evans' trio on the legendary Sunday at the Village Vanguard (Riverside Records, 1961)--Motian has, as a sideman, augmented musical visions galore. A ...

832

Article: Live Review

Evan Parker/Paul Dunmall Quartet at the Vortex, London

Read "Evan Parker/Paul Dunmall Quartet at the Vortex, London" reviewed by John Sharpe


Evan Parker/Paul Dunmall/Paul Rogers/Tony Levin The Vortex London February 25, 2010 Any opportunity to catch the UK's top tenors Evan Parker and Paul Dunmall in tandem is enough to set the pulse racing, but factor in a rare sally across the Channel by French-based bassist extraordinaire Paul Rogers and ...

274

Article: Album Review

Jim Gailloreto: American Complex

Read "American Complex" reviewed by Hrayr Attarian


Chamber jazz or third stream--or whatever the amalgamation of western classical music and jazz is called--has had a handful of talented proponents sprinkled throughout the history of music. They have ranged from the more structured compositions of Igor Stravinsky to the looser improvisations of the Modern Jazz Quartet. Soprano saxophonist Jim Gailloreto has recently joined the ...

227

Article: Album Review

Tom Harrell: Roman Nights

Read "Roman Nights" reviewed by Robert Dugan


Since signing with the HighNote label in 2006, Tom Harrell has released the most significant CDs in his three decades-plus of recording. It's no coincidence that, for this same period, he has been leading a true dream band of younger players. His previous output for RCA was of the highest quality, particularly Paradise (2001), a unique ...

767

Article: Interview

Steve Colson: Doing Jazz Justice

Read "Steve Colson: Doing Jazz Justice" reviewed by Gordon Marshall


As well as being a great music educator, Steve Colson is one of the most versatile jazz pianists of the last forty years, with a grasp of idioms ranging from swing to free, and from European romanticism to new music. What's more, he is a master of compression, incorporating these sources into solos and compositions with ...

701

Article: Extended Analysis

ART-i-Facts: Great Performances from 40 Years of Jazz at NEC

Read "ART-i-Facts: Great Performances from 40 Years of Jazz at NEC" reviewed by Raul d'Gama Rose


Various Artists ART-i-Facts: Great Performances from 40 Years of Jazz at NEC New England Conservatory 2010 For almost 150 years the New England Conservatory has been a repository of learning for musicians from around the world. The institution has maintained a fine sense of history and 40 years ago began ...

320

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by Dan Bilawsky


Finding musical parallels to David Binney's work is not always an easy task. As a composer, he has managed to create a distinctive sound, yet no single quality can properly define his work. Binney wears his influences on his sleeve throughout Aliso, choosing to touch on the work of Wayne Shorter, Sam Rivers, Thelonious Monk and ...

381

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by John Kelman


In a career now in its third decade, alto saxophonist David Binney's greatest accomplishment, despite being a player of no small worth, has been as a composer whose often knottily idiosyncratic tunes manage to remain not just accessible, but deeply compelling. From the earliest days of Lost Tribe through to last year's outstanding Third Occasion, Binney's ...

232

Article: Album Review

Dan Dean: 2 5 1

Read "2 5 1" reviewed by Bruce Lindsay


Take four talented and creative keyboard players, one at a time. Select a few standards, plus one original tune. Pick up your electric bass and join in. Enjoy. The result is 2 5 1, an immediately accessible and inviting album of keyboard and bass duets from Dan Dean and his guests. Of course, ...


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