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Milt Jackson and Paul Desmond: Elder Statesmen on CTI
by Dan Bilawsky
Popular music is usually a young person's game. Older artists, in any genre, often get pushed to the periphery to make way for the next big thing that can sell in numbers. But the CTI label was age-blind when it came to its artist roster. While it's certainly true that the stable of musicians on the ...
DIVA Jazz Orchestra / Paul Read Orchestra / Andy Farber and His Orchestra
by Jack Bowers
DIVA Jazz OrchestraJohnny Mandel: The Man and His MusicArbors Jazz2010 Note to NARAS members: please do not cast your vote for Best Big Band Album of 2011 without first having listened to Johnny Mandel: The Man and His Music, recorded in concert at Dizzy's Club Coca-Cola in Manhattan ...
Microscopic Septet: Chance Meeting with the Future
by Gordon Marshall
The Microscopic Septet is all about swing, but swing in a sense extrapolated from the stale, dated pages of the past. Its take on the music of the '30s and '40s is too scholarly to fall off the map as retro, and too deeply felt to be dismissed as a dusty trove of museum pieces. The ...
John Scofield & Joe Lovano Quartet in Albany, NY
by R.J. DeLuke
John Scofield & Joe Lovano QuartetThe Egg, Albany NYJanuary 30, 2011 Catching the John Scofield & Joe Lovano Quartet wasn't just a case of experiencing two remarkable improvisers exercising their art, though there was that. With the incessant, fabulous rhythms of drummer Bill Stewart, and the rock-solid bottom supplied by bassist ...
Accurate Records: Growing Out of Boston
by Jakob Baekgaard
In the age of globalization, when almost every musician churns out his or her own record digitally, the boundary between being a one-man business and a record company is porous. However, while many of the new labels remain dedicated to a small circle of artists, there is also the more rarified example of the musician-based label ...
Taken with Terrasson
by Dan Bilawsky
While reading reviews about the 2010 Winter Jazzfest in New York City, I experienced a sensory overload, despite the fact that I hadn't even been in attendance. The list of musicians that performed at the event seemed too good to be true, as did many of the reviews, so I vowed to check it out for ...
Mark Weinstein: Jazz Brasil
by Jerry D'Souza
Mark Weinstein had a long journey across the trail of music instruments before he settled on the flute. He first played the piano when he was six. He then tried the clarinet and the drums before gravitating to the trombone and string bass in high school. The trombone was the mainstay for quite a while, and ...
The Center for Jazz Studies at Columbia University presents: African Rhythms: The Autobiography of Randy Weston
A book reading and signing with Randy Weston and Willard Jenkins Packed with fascinating anecdotes, African Rhythms is Randy Weston's life story as told to the music journalist Willard Jenkins. It encompasses Weston's childhood in the Brooklyn neighborhood where his parents imbued him with pride in his African heritage, his introduction to jazz, and his early ...
Tomasz Stanko Quintet: New York City, January 14, 2011
by Warren Allen
Tomasz Stanko Quintet with Chris PotterJazz StandardNew York, NYJanuary 14, 2011 Polish trumpet legend Tomasz Stanko has long had a close relationship with New York City. One of the first great jazz musicians to come out of Eastern Europe in the late 1970s, Stanko today splits his time between Warsaw ...
Richard Doron Johnson: Battle Grounds
by Greg Simmons
In a year that saw some lionized piano trio records, Richard Doron Johnson's debut, Battle Grounds, might be the overlooked gem. Johnson is hardly a household name, even within the small, tight circle of jazz fans. His website reveals stints with trumpeter Wynton Marsalis and the Thelonious Monk Institute, as well as gigs with ...
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