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16

Article: Extended Analysis

Miles Davis: Olympia – Mar 20, 1960

Read "Miles Davis: Olympia – Mar 20, 1960" reviewed by C. Michael Bailey


A Totally Subjective History of Jazz, 1945--1968 I am going to over-simplify the history of small-ensemble jazz between the heyday of bebop and the vestibule of fusion using a single catalyst--Miles Davis. Davis was instrumental in or the genesis of five major movements (not including fusion) in jazz where the hinges of these ...

2

Article: Album Review

Paul Giallorenzo's Git Go: Force Majeure

Read "Force Majeure" reviewed by Vincenzo Roggero


Pur essendo assai attivo sulla scena di Chicago non solo come pianista e compositore per teatro, danza, cinema ma anche come promotore culturale e creatore di eventi, Paul Giallorenzo è figura poco nota al di fuori dei patri confini. Pianista che fonde in uno stile originale la lezione di Thelonious Monk con quella di Cecil Taylor, ...

4

Article: Album Review

Randy Brecker with the DePaul University Jazz Ensemble: Dearborn Station

Read "Dearborn Station" reviewed by Jack Bowers


Dearborn Station, the tenth album recorded by the superb DePaul University Jazz Ensemble at Joe Segal's legendary Jazz Showcase (in Chicago's historic Dearborn Station, hence the title), is another bright and rhythmic tour de force for director / trumpeter Bob Lark's intrepid undergrads and their special guest, trumpeter Randy Brecker, whose perceptive solos enhance the first ...

3

News: Recording

Saxophonist Anton Schwartz's "Flash Mob" Featured on the All About Jazz Home Page

Saxophonist Anton Schwartz's "Flash Mob" Featured on the All About Jazz Home Page

Don't miss one of the best jazz CDs of 2014! Available for a full week on the All About Jazz home page. Look for the Flash Mob SoundCloud player directly under the Featured Stories box Anton Schwartz's first solo release in seven years, Flash Mob, had a long Top Ten run on the U.S. Jazz Radio ...

27

Article: My Blue Note Obsession

1950s and ‘60s Blue Note – Is It All the Same?

Read "1950s and ‘60s Blue Note – Is It All the Same?" reviewed by Marc Davis


A few years ago, a reader from California named Charlie F. started a provocative discussion in the All About Jazz forums with the title: “I've decided not to buy any more Blue Note albums." Oh boy. He began, “Recently, I came to notice something about Blue Note albums of the 50s-60s, which was that ...

14

Article: Catching Up With

Ben Sidran: The First Existential Jazz Rapper

Read "Ben Sidran: The First Existential Jazz Rapper" reviewed by Joan Gannij


Ben Sidran is an old school hipster in the authentic sense of the word. He's a no frills, musician's musician who's got the heart, got the chops. He's been there, done that, and ready to do more. Sidran has never been interested in following trends or squeezing into categories and is not about to start now. ...

15

Article: Catching Up With

Catching up with Pamela Hetherington

Read "Catching up with Pamela Hetherington" reviewed by Pamela Hetherington


Meet Pamela Hetherington: Philadelphia native, jazz tap dancer, choreographer, dance educator; director of the tap and music collective Take It Away Dance. Instrument(s): Tap shoes, cajon, piano Teachers and/or influences? I grew up dancing with the best tap teachers in Philadelphia, including Rita Rue, Leon Evans, Delphine Mantz, LaVaughn ...

8

Article: Live Review

Kenny Barron & Dave Holland at Queen Elizabeth Hall

Read "Kenny Barron & Dave Holland at  Queen Elizabeth Hall" reviewed by Ian Patterson


Kenny Barron & Dave Holland/The Jeremy Monteiro Trio Queen Elizabeth Hall EFG London Jazz Festival 21 November, 2014 The prospect of Kenny Barron and Dave Holland performing as a duo was a mouthwatering one. Both are well versed in the format. In 1971 Holland combined with Derek Bailey and then ...

13

Article: Album Review

Matt Lavelle and John Pietaro: Harmolodic Monk

Read "Harmolodic Monk" reviewed by Dan Bilawsky


Every time it looks like all the gold has been mined from Thelonious Monk's music, somebody comes along to prove otherwise. Harmolodic Monk finds multi-instrumentalist Matt Lavelle and percussionist John Pietaro applying saxophone icon(oclast) Ornette Coleman's freeing philosophical ideal(s) to Monk's oft-performed music. To some, the resultant performances may seem far more complex ...

5

Article: Album Review

Peter Zak: The Disciple

Read "The Disciple" reviewed by Dan Bilawsky


Peter Zak has put out one strong trio affair after another, yet his work is often overlooked. Maybe it's due to the fact that he hasn't settled on one lineup for an extended period of time, preferring to try out different combinations for his trio recordings; or maybe it's because he doesn't stray far from the ...


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