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Album

The Westerlies

Label: Songlines Recordings
Released: 2016
Track listing: A Nearer Sun; So So Shy; New Berlin, New York; Saro; Although Of Course You End Up Becoming Yourself; The Beekeeper; Where's The Music?; Double Situation; Lopez; The Shop; The Beach; Rue des Rosiers; Run On Down; Edomala; Ruddy Ducker; Songs My Mother Taught Me; All to Ourselves.

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Article: Hi-Res Jazz

The Westerlies: New Music For Brass In Hi Res

Read "The Westerlies: New Music For Brass In Hi Res" reviewed by Mark Werlin


The Westerlies, a self-titled album performed by an “accidental brass quartet" of two trumpet players and two trombonists, is a stunning accomplishment: a reference-quality recording of trans-genre new instrumental music that managed to beat the odds and reach a wide audience. The album's unexpected success points to the importance of curation in an overcrowded online music ...

Album

Wish the Children Would Come on Home

Label: Songlines Recordings
Released: 2015
Track listing: Please Keep That Train Away from My Door; 9/8; Sweeter Than the Day; Interlude 1; Triads; The Band with Muddy; You Were Just Here; Interlude 2; The Circus Prospered; Home; Waltz from Woman of Tokyo; Interlude 3, Love, Love, Love; Barber Shop; The Store, The Campfire; Wish the Children Would Come on Home.

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Article: Album Review

The Westerlies: Wish the Children Would Come on Home

Read "Wish the Children Would Come on Home" reviewed by Vincenzo Roggero


Due trombe, due tromboni quattro fiati che soffiano le note della musica di Wayne Horvitz, presente con le sue tastiere in qualche brano, ma in maniera discreta, in punta di piedi, ad assicurare un contatto fisico con la sua musica da dietro le quinte, per non disturbare e lasciare massima libertà ai giovani interpreti. È questo ...

9

Article: Extended Analysis

Wayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception, Wayne Horvitz: 55: Music And Dance In Concrete

Read "Wayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception, Wayne Horvitz: 55: Music And Dance In Concrete" reviewed by John Ephland


Wayne Horvitz is a musical universe unto himself. Has been for well over 35 years. And it's not just his stick-to-it-ive-ness that continues to make his music so damn engaging, a contrariness redefined. Consider these two recent releases as prime examples. The composer/bandleader/keyboardist (who turns 60 in 2015) has a musical history that just might grab ...


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