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1,188

Article: Live Review

Norwegian Road Trip, Part 7: Molde Jazz, Days 5-6

Read "Norwegian Road Trip, Part 7: Molde Jazz, Days 5-6" reviewed by John Kelman


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 [Editors Note: From July 6 to July 26, 2010, All About Jazz Managing Editor John Kelman will travel throughout Norway to cover both the Kongsberg Jazz Festival (also participating in Silver City Sounds) and ...

Album

The Source

Label: World Culture Music
Released: 2007
Track listing: View From Above; Mantra; 107 Steps; Search For Noesis; Journey; VCB; Memory's Wavering Echo; View From Above (reprise); The Source; Psalm; Retrospect.

311

Article: Album Review

Kendrick Scott Oracle: The Source

Read "The Source" reviewed by J Hunter


The first time I saw Kendrick Scott, he wasn't supposed to be there. Eric Harland was a no-show for the Terence Blanchard Sextet's 2003 gig at the Skidmore Jazz Institute (a summer program that counts Scott as an alumnus), so Scott filled in, and acquitted himself admirably. When Terence Blanchard's Flow tour came to Albany in ...

280

Article: Album Review

Kendrick Scott Oracle: The Source

Read "The Source" reviewed by Mark F. Turner


Kendrick Scott's debut recording The Source exudes a sense of purpose with music that is carefully orchestrated, coolly executed, and has an appeal that is both contemporary and cerebral. Scott's respect for the art form is cognizant of the greats that have come before him, but clearly personifies his own voice alongside contemporaries like drummers Brian ...

Album

The Source

Label: ECM Records
Released: 2006
Track listing: Caballero; Un Fingo Andalou; Libanera; Prelude To A Boy; Tamboura Rasa; Mmball; Osterled; Life So Far; Tribute; Mail Me Or Leave Me; Alle Bla De Er; Water Glass Rhapsody; A Surrender Triptych.

Album

The Source

Label: ECM Records
Released: 2006
Track listing: 1. Caballero - 6:06; 2. Un Fingo Andalou (Seim) - 7:28; 3. Libanera (Edward Vesala) - 6:12; 4. Prelude To A Boy - 6:29; 5. Tamboura Rasa (Johansen) - 5:51; 6. Mball (Johansen) - 5:31; 7. Østerled - 6:29; 8. Life So Far - 6:44; 9. Tribute - 6:31; 10. Mail Me Or Leave Me - 5:59; 11. Alle Blå De Er - 4:34; 12. Water Glass Rhapsody - 3:03; 13. A Surrender Triptych - 3:20 Ove non indicato i brani sono di Øyvind Brække

1

Article: Album Review

The Source: The Source

Read "The Source" reviewed by AAJ Italy Staff


“Ornette sotto ghiaccio”: questo viene in mente ascoltando le prime tracce di questo eccellente disco di The Source, quartetto scandinavo attivo dal 1993 e giunto al secondo disco per ECM, che include il sassofonista Trygve Seim, ormai sempre più onnipresente protagonista della scena nordica. Il gruppo, infatti, oltre a presentarsi molto simile già nella formazione al ...

173

Article: Album Review

The Source: The Source

Read "The Source" reviewed by Budd Kopman


The music that makes up this most delightful and peculiar album is both paradoxical and enigmatic. Everything seems to fit together and make sense, and yet the musical world thus created is unfamiliar. While it has density and gravity, the music feels like it's almost not there. After experiencing the album, you might ask yourself what ...

275

Article: Album Review

The Source: The Source

Read "The Source" reviewed by John Kelman


Norwegian saxophonist Trygve Seim turned heads with his two recordings as a leader, Different Rivers (ECM, 2000), and Sangam (ECM, 2004). But these richly composed discs reveal but one aspect of his work. Though he claimed in a 2005 interview not to “find soloing in the traditional manner particularly interesting," the Source--his decade-old cooperative with trombonist ...

73

Article: Album Review

The Source: The Source

Read "The Source" reviewed by Nic Jones


There were days when albums customarily started with the proverbial flagwaver or something evocative of barns being stormed, but The Source is a radically different proposition. Trombonist Oyvind Braekke's “Caballero" is built around a simple, plodding figure played on bowed bass in tandem with faintly martial drumming. Within the scope of its soundscape, the flags only ...


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