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Vula Viel: Do Not Be Afraid
by Gareth Thompson
Having once wowed audiences at the London Jazz Festival, Vula Viel acquired a more unlikely fan in the shape of Iggy Pop. Maybe it's this trio's post- punk verve that grabbed the Stooges frontman, or Pop might have been seduced by hearing the gyil (Ghanaian xylophone) in such an original context. Bex Burch was ...
Il meglio del 2018 secondo Vincenzo Roggero
by Vincenzo Roggero
Anche quest'anno tanti gli ascolti, tante le proposte interessanti, e come al solito, difficile sintetizzare il meglio in dodici dischi. Non necessariamente i migliori ma quelli che, in un modo o nell'altro, hanno lasciato un segno. In testa una conferma, Steve Coleman, eh sì ancora lui, per il disco certo, ma anche per i meravigliosi concerti ...
Phillip Johnston Returns with Diggin' Bones and The Adventures of Prince Achmed
by John Kelman
The consequences of change in the music industry have been predicted for some time now but, with far too many blinkered deniers, it's had to begin approaching critical mass before being recognized for what it is: the commoditization and devaluation of music that has led to increasing challenges for musicians looking to maintain any kind of ...
The Necks: Body
by Luca Canini
Si potrebbe iniziare dicendo che il disco è il ventesimo (live esclusi) pubblicato dai The Necks in quasi trent'anni di carriera; oppure ricordando che il precedente, di disco, si intitolava Unfold, e che dal formato vinile (doppio) per Body il trio australiano ha deciso di tornare al caro, vecchio CD, ripristinando la regola aurea della traccia ...
Ice, Ice, Baby
by Patrick Burnette
Mike's apparently random picks for this episode, whose release dates range from the mid-fifties to this very year, turn out to have at least one aspect in common: the artists involved illustrate different aspects of “cool." After detours exploring Michel Petrucciani's personal life and Mike's beef with British jazz critics, we wind things ...
The Necks: Body
by Mark Sullivan
Their official biography calls The Necks “one of the great cult bands of Australia," which says more about their fan base than the music they play. But it's still not a bad place to start; certainly, the mesmerizing improvised, slow-moving sound they create together is not likely to attract a mass audience. Like most of their ...
The Necks: Body
by Mike Jurkovic
Australia's greatest cult band, The Necks, has twenty albums to its creative and collective credit, amongst them Aether (Fish of Milk, 2001), Open (Fish of Milk, 2013) and Hanging Garden (Fish of Milk, 1999). Pianist/keyboardist Chris Abrahams, bassist Lloyd Swanton and drummer, percussionist and guitarist Tony Buck create an ever-expanding rhythmic organism that constantly feeds off ...
Minimalist Jazz & An Interview With Caroline Davis
by Ludovico Granvassu
Jazz and minimalism? An interesting combination that produces fascinating and hypnotic results which we will delve into in this episode of Mondo Jazz. We also interview saxophonist Caroline Davis about her latest album, Heart Tonic, plus a loungy tribute to Cecil Taylor, and a preview of live performances by Patrick Zimmerli and Derek Gripper. ...
Il meglio del 2017 secondo Nicola Negri
by Nicola Negri
Un altro anno di musica straordinaria: dodici dischi (e una manciata di concerti memorabili) per riflettere sul 2017 appena concluso. Maestri come Wadada Leo Smith e Roscoe Mitchell continuano a stupire per coraggio e coerenza; Nicole Mitchell e Satoko Fujii si confermano musiciste e compositrici di valore assoluto; si delineano nuove prospettive grazie a Irreversible Entanglements, ...
