Home » Jazz Articles » The Necks: Three

9
Album Review

The Necks: Three

By

Sign in to view read count
The Necks: Three
Live performances by Australian free-improvising trio The Necks typically take the form of a single, slowly growing and morphing mass of sound. On recordings the musicians give themselves permission to sculpt the sound, so it is not a real-time document. Nevertheless their two previous albums Vertigo (Northern Spy Records, 2015) and Body (Northern Spy Records, 2018) both presented a single long track apiece, paralleling their live practice. This time the program is broken into three parts, each with its own distinct atmosphere.

The set begins at a gallop with "Bloom." But Chris Abrahams' piano plays melodically in half time: eventually a synthesizer line becomes more prominent, sometimes in time with the rhythm section, sometimes floating above it. Like many of their improvisations it somehow manages to be busy and static at the same time. "Lovelock" begins sparsely, with Tony Buck's cymbal rolls, piano arpeggios and Lloyd Swanton's bass pedal point. It ebbs and flows (with snare rolls building to climaxes that never quite materialize), and organ chords thicken the texture.

In traditional terms, it is the ballad of the set. "Further" introduces a moderato modal feel, with a calm bass ostinato and melodic piano. The background texture includes organ and guitar. So it is the densest and most varied selection timbrally. A conventional album structure would have swapped "Further" and "Bloom:" moderato, slow, fast. But The Necks are rarely conventional, and Three makes its point in the band's own inimitable way.

Track Listing

Bloom; Lovelock; Further.

Personnel

The Necks: band/orchestra; Chris Abrahams: piano; Tony Buck: percussion; Lloyd Swanton: bass, acoustic.

Album information

Title: Three | Year Released: 2020 | Record Label: Northern Spy Records


FOR THE LOVE OF JAZZ
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Post a comment about this album

Tags

More

Live From the Heat Dome
Thomas Marriott
I Hear Music
Diane Marino
Eurythmia
Eve Risser Red Desert Orchestra
Lovely Error
James O'Sullivan

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and includes upcoming jazz events near you.