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Lloyd Swanton
Lloyd Swanton (born August 14, 1960, in Sydney, Australia) is a double bassist, electric bassist, composer, and bandleader. He began studying classical piano before taking up electric bass as a teenager, and became active in Sydney's jazz scene in the early 1980s. During this period he worked with musicians and groups including pianist Chris Abrahams, The Benders, the Bernie McGann Trio and Quartet, and the Dynamic Hepnotics. His early work encompassed jazz, improvised music, and other contemporary styles, and he subsequently incorporated both electric and double bass into his playing.
In 1987, Swanton, Abrahams, and drummer Tony Buck formed The Necks. The trio initially developed its music through informal playing sessions before beginning to perform publicly. Their performances and recordings are based on extended pieces that develop through repetition, variation, improvisation, and interaction among the three musicians. Swanton's role in The Necks has included double bass and electric bass, with the instrument contributing rhythmic, harmonic, and textural elements to the trio's music. The group has released numerous albums and has toured extensively in Australia, Europe, North America, and Asia.
Swanton has also worked extensively as a sideman and collaborator outside The Necks. His credits include performances and recordings with Australian musicians such as Bernie McGann, Mike Nock, and Don Burrows, as well as international artists including Dewey Redman, Clifford Jordan, Billy Harper, Gary Bartz, Sheila Jordan, Nat Adderley, Andrew Hill, and John Hicks. His work has extended beyond jazz to collaborations with artists including Tim Finn, Stephen Cummings, Wendy Matthews, and Sting, and he has also performed with the Sydney Symphony Orchestra. He has appeared at international festivals including the Montreux Jazz Festival, Montreal International Jazz Festival, and North Sea Jazz Festival.
In 1991, Swanton founded The catholics, an ensemble centered on his compositions and arrangements. The group has released eight albums and has performed extensively in Australia and internationally. Its repertoire combines composed material with improvisation and features a changing ensemble of Australian jazz musicians. Several of the band's recordings received ARIA Award nominations, while Simple was nominated for the Preis der deutschen Schallplattenkritik in Germany. Swanton has also released music under his own name and has worked as a composer for film and other media.
Swanton's compositional work includes projects for small and large ensembles as well as music connected to historical and personal subjects. One of his larger-scale works is Ambon, a twelve-part suite based on the wartime diary of his uncle Stuart, who was held as a prisoner of war during World War II. The work was premiered in 2015 and subsequently performed in Australia. Swanton has also received APRA awards for compositions performed by The Necks, including "Drive By" and "Chemist," which received the Most Performed Jazz Work award in 2005 and 2006 respectively.
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Asteroid Ekosystem: Sounds Have Dreams
by Glenn Astarita
Sounds Have Dreams is the audacious third album (and second studio effort) from Asteroid Ekosystem, the project led by Australian pianist and composer Alister Spence. He has assembled an unlikely quartet that sidesteps genre boundaries: punk and post-punk guitarist Ed Kuepper, The Necks bassist Lloyd Swanton, and the precise, inventive drummer Toby Hall. Spence shaped raw guitar phrases from Kuepper into compositional sketches, then reconvened the group. The result feels less like a conventional album and more like ...
Continue Reading...Alister Spence Trio: Gather
by Glenn Astarita
Alister Spence Trio's Gather arrives like a mischievous breeze, stirring the leaves of modern jazz with a blend of precision and playful abandon. This Australian ensemble--Alister Spence on piano, Lloyd Swanton on double bass, and Toby Hall on drums--delivers an album that feels like a conversation among old friends who happen to be virtuosos. The eight tracks weave a tapestry of intricate melodies, rhythmic surprises and moments of quiet introspection, each piece a small universe unto itself. Spence's ...
Continue Reading...Alister Spence Trio: Gather
by Dan McClenaghan
Australian pianist Alister Spence is a master collaborator. He teams up with fellow keyboardist Satoko Fujii for various recording and live show efforts, and also with pianist Myra Melford and saxophonist Raymond McDonald. In addition, he is a founding member of the group Wanderlust, and he collaborates with guitarist Ed Kuepper in the Asteroid Ekosystem ensemble. Gather, released under the Alister Spence Trio moniker, features eight of Spence's original compositions, along with his piano artistry, and with improvisations ...
Continue Reading...Alister Spence Trio With Ed Kuepper: Asteroid Ekosystem
by Dan McClenaghan
Australian pianist/keyboardist Alister Spencewith his avant-garde credibility established via free-roaming work with his trio and collaborations with pianist/composer/bandleader Satoko Fujiitakes another let's-see-what-happens exploratory step in a collaboration with guitarist Ed Kuepper on the double CD outing, Asteroid Ekosystems, a sonic trek into the extraterrestrial area of space debris between Mars and Jupiter. Or not. Maybe the title was tagged on, after the two day recording sessions, after an off-the-cuff" show in Sydney in March of 2018. Nevertheless, that ...
Continue Reading...The Necks: Three
by Mike Jurkovic
With their stubbornly spiky, hold-onto-your-hat mindset firmly rooted, a high fever runs wild on Three, The Necks' twenty-first release in its thirty-three year, unhindered-by-genre career. It starts like most of the trio's existential, kaleidoscopic excursions do: some minimalist point of blurred melodic frenzy is acted upon and the rest becomes an amalgam of theory and system... jazz, rock, industrial, whatever suits the moment. It can be irresponsibly reckless, remotely ambient, soulfully rewarding, cantankerous, glaringly indulgent or plain brilliant at any ...
Continue Reading...The Necks: Three
by Mark Sullivan
Live performances by Australian free-improvising trio The Necks typically take the form of a single, slowly growing and morphing mass of sound. On recordings the musicians give themselves permission to sculpt the sound, so it is not a real-time document. Nevertheless their two previous albums Vertigo (Northern Spy Records, 2015) and Body (Northern Spy Records, 2018) both presented a single long track apiece, paralleling their live practice. This time the program is broken into three parts, each with its own ...
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