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The Milk Carton Kids

THE ASH & CLAY, Grammy-nominated for Best Folk Album 2014, out now. VIEW FROM THE BRIDGE The Foreword to The Ash & Clay by Joe Henry The good doctor William Carlos Williams famously wrote that “the pure products of America go crazy;” and it should surprise me not at all that the thought would find me a trembling but easy target alone in a hotel room, late of an evening, in the city of Hiroshima, by the Inland Sea. This town has a way of stopping time and then re-animating it like still images in a flipbook, its stick figure dancing halting circles upon an endless sky. It invites you into a frozen past that flashes forward like a lost silent movie of our future already in progress. Of course, the demands of travel have a beautiful way of skewing all perception, rendering it liquid and wholly unreliable–but in the way that keeps hard facts from obscuring the elusive truth: night becomes day; seasons arrive disguised as others; the living and the dead take up together in your mind like lonesome wallflowers at a Sunday Social; I phone my wife and she answers me with breaking news from the closed book of yesterday; I relearn to speak my own name... Songs have the same power to confuse, seduce, stop time and re-animate it; to skin the lion and to leave it both spread on the floor and still stalking you from a ghostly crouch, the blood of your dreams already on its jowls