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110

Article: Extended Analysis

Hakon Kornstad: Symphonies In My Head

Read "Hakon Kornstad: Symphonies In My Head" reviewed by John Kelman


Håkon Kornstad Symphonies in My Head Jazzland Records 2011 Amidst a nation of musicians who fearlessly and seamlessly find ways to marry music and technology on the most human of terms, Håkon Kornstad still stands alone. Armed with an array of saxophones, flutes and weird hybrids like the flutonette ...

145

Article: Record Label Profile

Re:konstruKt: New Music Online from Istanbul

Read "Re:konstruKt: New Music Online from Istanbul" reviewed by Gian Paolo Galasi


The online independent label re:konstruKt was founded in 2008 by Umut Çağlar, an Istanbul-based guitarist and leader of the konstruKt quartet. The label was formed few months after the band's first rehearsals. Its initial purpose was to document the evolution of the Istanbul experimental scene.Çağlar's development as a musician is a good example of ...

256

Article: Extended Analysis

Goran Kajfes: X/Y

Read "Goran Kajfes: X/Y" reviewed by Chris May


Goran KajfešX/YHeadspin Recordings2011 Best known for his work with the timewarp friendly Swedish band Oddjob, Croatian-born trumpeter Goran Kajfeš has released two solo albums during the last decade--on each of which he too has had one foot planted in retro ground and the other in more modern ...

273

Article: Live Review

Norwegian Jazz 101c: JazzNorway In A Nutshell 2011

Read "Norwegian Jazz 101c: JazzNorway In A Nutshell 2011" reviewed by John Kelman


2008 | 2009 | 2010 | 2011 It may be true, at least most of the time, that familiarity breeds, if not exactly contempt, then certainly complacency; but that simply doesn't apply if subject is Norway--and, in particular, its disproportionately large and vibrant music scene. Suffering from an epidemic that most folks would ...

808

Article: Record Label Profile

Accurate Records: Growing Out of Boston

Read "Accurate Records: Growing Out of Boston" reviewed by Jakob Baekgaard


In the age of globalization, when almost every musician churns out his or her own record digitally, the boundary between being a one-man business and a record company is porous. However, while many of the new labels remain dedicated to a small circle of artists, there is also the more rarified example of the musician-based label ...

Album

Autodreamographical Tales

Label: Not On Label
Released: 2010

236

Article: Album Review

Soft Machine: Land of Cockayne

Read "Land of Cockayne" reviewed by John Kelman


Three years after Alive & Well: Recorded in Paris (Harvest, 1978), Britain's Soft Machine suddenly resurfaced momentarily with Land of Cockayne. Given the experimental nature of its glory days and a latter-day fusion masterpiece in Bundles (Esoteric, 1975), it's understandable why Cockayne has historically been considered Soft Machine's dullest moment. But time heals all wounds, and ...

698

Article: Live Review

Festival International Musique Actuelle Victoriaville: Day 3 - May 22, 2010

Read "Festival International Musique Actuelle Victoriaville: Day 3 - May 22, 2010" reviewed by Gordon Marshall


Day 1 | Day 2 | Day 3 | Day 4 Festival International Musique Actuelle VictoriavilleVictoriaville, Quebec, CanadaMay 22, 2010 In a sense, by definition, experimental artwork can never fail because, as it constitutes experiments, even when the outcome is not the desired one, there is still something to be learned that moves ...

921

Article: Interview

Fred Frith: Mapping the Further Reaches

Read "Fred Frith: Mapping the Further Reaches" reviewed by Nic Jones


Multi-instrumentalist/composer Fred Frith occupies a unique niche. As a charter member of Henry Cow, a band for which improvisation was always an integral part of musical expression, he was partly responsible for some of the most radical music ever to have emerged from beneath the rock umbrella.So much so, in fact, that ...

131

News: Recording

One-Note Wonders

One-Note Wonders

The best performances of Terry Riley's 1964 minimalist classic In C come off like great sex: variations are gradually introduced and then withdrawn from a rhythmic structureand when it's all over, you have a trancelike “what just happened?" kind of hum in your head. Created as a shot across the bow of midcentury atonal complexity, In ...


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