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Barney McAll: One to Watch
by AAJ Staff
This interview was first published in 2001. All About Jazz: First, if you don't mind, tell me some other biographical details (where did you study?) Barney McAll: I was born in Melbourne Australia. I started playing piano at seven years old. My older brother John, was very influential on me ...
It's the Economy, Man!
by Jack Bowers
Even though the present (and future) state of the economy here in the States is no laughing matter, there has been at least one tongue-in-cheek article about jazz musicians seeking bailout money from Congress and the Bush administration (still in power when it was written last December). It's presented as a straight news" story, but musicians' ...
Study in Contrast
By Teo Macero
Label: Teo Productions Inc.
Released: 2008
Track listing: Inner World; Blues For Roseann; Break Out; Waterfalls; Pandora's Box; Slow and Easy; Hell's Comin' and Hell's Comin' With Me; Wishy Washy Tadpole Blues; I Want Your Brain.
Teo Macero Presents The Inner World Band: Study in Contrast
by Ivana Ng
Teo Macero, who while at Columbia Records produced many Miles Davis records from Kind of Blue (1959) to Bitches Brew (1969), as well as other seminal discs like Dave Brubeck's Time Out (1959) and Ellington's Blues in Orbit (1958), passed away in February at age 82. Study in Contrast, recorded in 2007 with the NYU Steinhardt ...
Memorial Service for Legendary Jazz Producer Teo Macero, May 18 at NYU's Loewe Theatre
Teo Macero, the legendary jazz saxophonist, composer, and record producer who died on February 19, will be remembered at a memorial service on Sunday, May 18 at New York University's Frederick Loewe Theatre, 35 West 4th Street, from 7 p.m. to 10 p.m. The memorial service is open to the public. The NYU Jazz Orchestra will ...
The Complete On The Corner Sessions
by John Kelman
Much has been written about what is perhaps trumpeter Miles Davis' most controversial album, On The Corner (Columbia, 1972). Already shaken from the electric onslaught of Bitches Brew (Columbia, 1969), A Tribute To Jack Johnson (Columbia, 1970), and a series of live or, in the case of Live-Evil (Columbia, 1970), largely live releases, it was the ...


