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Results for "Teo Macero"
Moers Festival Interviews: Brandon Seabrook
by Martin Longley
Brandon Seabrook cultivates a forked assault on the guitar and the banjo, amplifying both of them, and negotiating their strings at high speeds, filling his playing with hyper-detailed improvisations, or constructing complex compositional strategies, frequently referred to as 'riffs.' Seabrook has long been a crucial presence on the New York City scene, whether leading his own ...
Karl Jenkins: Penumbra II
by Chris May
Multi-instrumentalist Sir Karl William Pamp Jenkins CBE (Commander of the Order of the British Empire) is a successful composer of classical, film and TV music. But before he went over to the Dark Side, the then plain old Karl Jenkins was a member of the Rebel Alliance and a pivotal presence in British jazz rock. He ...
Mata Atlantica: Retiro e Ritmo
by John Ephland
The coastal rainforest of Brazil, otherwise known as Mata Atlantica, and “its beauty and vivacity" are the inspiration for Retiro e Ritmo. It is an album frontloaded with a varied cast of characters from hither and yon. Maybe that casting is behind a project seeking to draw worldwide attention to the ongoing shit-storm that includes not ...
Akusmi: Fleeting Future
by Chris May
Anyone who enjoys the landmark albums that are Terry Riley's minimalist manifesto In C (Columbia, 1968) and Jon Hassell's fourth world masterpiece Dream Theory In Malaya (EG, 1981) is in for a big treat. Actually, a triple treat. French-born, London-based composer and producer Pascal Bideau's entrancing Fleeting Future is redolent of not one of those albums, ...
Meeco: Keeping It Real
by Chris May
The Berlin-based producer and composer Meeco has a niche but devoted following, built up over a series of romantically inclined and elegant albums released between 2009 and 2014. The discs, which have pronounced Latin flavours, are Amargo Mel (Connector, 2009), Perfume E Caricias (Connector, 2010), Beauty Of The Night (Connector, 2012) and Souvenirs Of Love (Double ...
George Russell: Ezz-thetics & The Stratus Seekers revisited
by Maurizio Comandini
George Russell è uno dei pilastri sui quali si è costruito il jazz moderno degli ultimi 70 anni. Forse non è uno dei primi nomi che ci vengono in mente, ma di sicuro il suo contributo come compositore, come band leader, come musicologo, è fondamentale. Nei primi anni sessanta i suoi album fornirono una interessante variante ...
From George Coleman to Meeco: Ten Overlooked Classics
by Chris May
The only thread running through this installment of Building A Jazz Library is that of unsung quality. No particular artist is spotlighted, nor any particular genre. There are simply ten, randomly selected albums, recorded in the US and Europe between 1953 and 2021, which show jazz off at its finest, but which, for one reason or ...
John McLaughlin: Where Fortune Smiles
by Maurizio Comandini
L'invito che Tony Williams fece a John McLaughlin, chiamandolo a New York per far partire l'intensa avventura musicale denominata 'Tony Williams Lifetime,' arrivò proprio quando lo stesso McLaughlin aveva magicamente trovato un suo punto di equilibro. Dopo aver lasciato intravedere interessanti bagliori nell'eccellente disco Things We Like di Jack Bruce (registrato a Londra a fine agosto ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Miles Davis: The Real Second Great Quintet
by Chris May
Miles Davis' first great quintet is generally agreed to be the one with tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones--the group which in 1955-56 recorded Columbia's 'Round About Midnight and Prestige's The New Miles Davis Quintet, Steamin', Workin', Relaxin' and Cookin'. Davis' second great quintet ...
