Results for "Tenor saxophone"

Matthias Van den Brande

Born: March 14, 1993

Matthias Van den Brande is a young saxophone player and composer/arranger with already an interesting story. Having lived and studied in various corners of the world, from his home country Belgium to the Netherlands (Amsterdam) and the United States (Philadelphia), he developed a strong voice and personality in the jazz idiom and beyond. Recently, Matthias played and recorded as a soloist with the Brussels Jazz Orchestra for the project ‘The Future Is Now’. In 2018, he released his debut album as a leader called ‘Opus #1’, blending a classical wind quintet and a jazz quartet together through his own original compositions and arrangements. In 2022, he released a second album entitled 'Three Sides of a Coin' with his award-winning trio. For 2 years, the trio played extensively in Belgium, The Netherlands, Spain, Italy and France. 

Brad Wagner

Tissa Khosla

Patrick Darwin Smith

Born: September 6, 1995

Patrick Smith is a saxophonist based in Toronto (originally from Ottawa).

He has established himself as a gifted and in demand saxophonist in the Canadian music scene. In recent years he has extensively toured Canada, the US, and Europe with Legends of Motown (featuring Michael Dunston and Gary Beals), My Son The Hurricane, Chelsea Mcbride’s Socialist Night School, and Forever Seger. 

He keeps an active freelance schedule in Toronto and around North America appearing with artists such as Order of Canada Recipient Dave Young, Juini Booth (bassist for Mccoy Tyner and Tony Williams), Yemen Blues, Erez Zobary, Heavyweights Brass Band, Dee Dee and the Dirty Martinis, Eighth Street Orchestra, Dan Pitt Quintet, King Cardiac, Queen Pepper, Kazdoura, and Shout The Band., An active bandleader, he currently leads three projects. His quintet which plays hard hitting original modern jazz. His chord-less trio called “3-Oh” which draws from the spirit of Sonny Rollins and plays music from the standard jazz canon, originals, as well as unique interpretations of more contemporary material. 

Steve Treseler

Born: July 17, 1981

Steve Treseler is an award-winning Seattle-based saxophonist, composer, and innovative leader in teaching improvised music. Hailed by Earshot as a “firebrand of the tenor saxophone,” DownBeat calls his music “beautifully crafted...whether free, through-composed, or somewhere in between.” Steve performs and leads improvisation workshops throughout North America and Europe, performing at Birdland, Blue Note Hawaii, and live on NPR’s Jazz Night in America.

Treseler’s bold and collaborative approach to improvised music began to take shape during his early adolescence in Edmonds, WA immersed in the hypnotic rhythm of Seattle’s grunge scene. He started playing clarinet in a public school band program, adding tenor saxophone in middle school. Throughout his high school years, Steve was obsessed with the spontaneity and virtuosity of classic jazz recordings. He began composing original music and performed at festivals up and down the West Coast with a youth trad jazz band. Treseler’s musical voice crystallized during his studies at New England Conservatory in Boston, where he was exposed to group improvisational techniques and the mentorship of jazz legends Jerry Bergonzi, Bob Brookmeyer, and George Garzone.

Today, Treseler is embedded in the jazz and creative music scene in the Pacific Northwest, performing with the Jim Knapp Orchestra, Johnaye Kendrick, Jay Thomas, and as a leader in his own notable groups. Treseler’s projects as a leader include collaborations with the lauded trumpeter Ingrid Jensen: Center Song, which reached #53 on the JazzWeek Radio Charts, and Invisible Sounds: For Kenny Wheeler on Whirlwind Recordings, which was named one of DownBeat's best albums of 2019 and praised by the New York Times as “lyrical and songlike, whether moving at a quick clip or drifting as slowly as cloud cover. . .a standout album.” His sixth album, The Grind with In Motion Quartet, will be released in early 2025.

Embracing eclectic sounds beyond jazz, Treseler collaborates with songwriters Damien Jurado and Lacey Bown, layering woodwind textures to their poignant storytelling. He explores experimental sonic worlds with Scrambler Soundpainting Ensemble, a multidisciplinary artist collective, and Radiant Fields, a solo project for saxophone and electronic effects.

As a teaching artist, Treseler is the founder of Infinite Improvisation, offering community-centered workshops and retreats that draw from improv theater games, conducted improvisation, and the aural tradition of jazz. Seattle JazzED calls his workshops, “revolutionary. . . Steve is an expert at teaching improvisation in a fun, encouraging way.” Steve has led workshops and artist residencies throughout the U.S. and Europe, including at Berklee College of Music, Hawaii’s Pacific Music Institute, Lionel Hampton Jazz Festival, and in the Austrian Alps with Più Piano. Steve is the author of two instructional books, the #1 Amazon Bestseller Creativity Triggers for Musicians (2017) and The Living Jazz Tradition: A Creative Guide to Improvisation and Harmony (CMA Press, 2014), used in music schools worldwide.

Treseler graduated from New England Conservatory with a distinction in performance and was named “Outstanding Jazz Soloist” in the DownBeat Student Music Awards. He holds a Master of Music in Jazz Studies and Improvised Music from the University of Washington where he was a teaching assistant for groundbreaking trumpeter Cuong Vu.

Treseler is a Conn Selmer performing artist.

In Motion Quartet

Active since: 2019

Led by Seattle-based saxophonist Steve Treseler and Bellingham-based trumpeter Kevin Woods, In Motion Quartet releases their debut album The Grind, an adventurous set of original music exploring propulsive grooves and the avant-garde. With a nod to the chord-less groups of Ornette Coleman, Dewey Redman, and Lee Konitz, the instrumentation allows the band the freedom to stretch harmonically and melodically, while maintaining an emphasis on rhythmic interaction and improvised counterpoint. Treseler and Woods seem to communicate telepathically, with a great sense of élan, curiosity, and vitality.

Kevin Goss

Born: December 13, 1967

I was born and raised in the east coast of Canada, and I discovered jazz at the age of 12. By the time I was 15, I was playing in local bands, and soon fronted my own quintet. From 1985-89, I attended the St. Francis Xavier University Jazz program in Nova Scotia, where I studied under an accomplished American Faculty. After years of playing in Halifax, NS I moved to Toronto in 1997. During that time I maintained a steady gig schedule, while also teaching high school. Over the years, I performed alongside such diverse artists as Rosemary Clooney, Frankie Valli, Melba Moore, Leslie Gore, The Maritime Jazz Orchestra, Randy Brecker, Joe Sullivan's Big Band, The Orange Devils, and Jim Galloway's Wee Big band

Dann Zinn

As a world-class saxophonist/flutist, Dann Zinn is renowned for being a passionate soloist and composer/arranger. Hailed over the years as “inventive,” “distinctive,” and for “creating a stunning and emotional listening experience,” Dann has developed a unique style distinguishing him as a one of a kind artist with a tone unlike any other horn player on the jazz scene today.

Zinn’s resume includes working with Allison Miller, Derrick Hodge, Geoffrey Keezer, Joe Henderson, Taylor Eigsti, Terri Lyne Carrington, Jeff Tain Watts, Freddie Hubbard, Chuck Findley, Mary Wells, Martha and the Vandellas, Barry Finnerty, Frank Martin, among many others. In addition to his five CDs, Ten Songs, Wish, Grace’s Song, Shangri La, and the newest, Day Of Reckoning, his impressive discography includes over 100 appearances as a featured soloist and sideman on albums with prominent musicians. Dann’s performances have spanned international stages including being featured at the San Francisco Jazz Festival, the Monterey Jazz Festival, and the world famous Yoshi’s, where he has played to sold-out crowds. He has garnered critical acclaim from prestigious publications such as DownBeat Magazine, Jazz Times, Jazziz, and local media such as the Oakland Magazine. Dann’s other performance history includes television, radio, and multi media videos, and even children’s specials.

Méva's Journal

Active since: 2023

Méva’s Journal is a fresh hard bop outfit in the Brisbane Jazz scene, modeled off of the late 50's/60's ‘hard bop’ ensembles. 

The band is led by Evan J. Evans, a Brisbane drummer currently studying a Bachelor in Jazz performance at the Jazz Music Institute, who has written all the music for the band. 

The music is based heavily in the early era of hard bop, taking heavy influence from more angular bebop composers like Thelonious Monk. The band features Tyger Middleton on Tenor Saxophone, Chris James on Alto Saxophone, Jordan Stitt on Piano and Alex Askew on Double Bass.

Anirudh Chakravarthy

Born: May 12, 2006

Anirudh is passionate about music, and its ability to bring people together, overcome differences, and preserve traditions and cultures. Whether he is playing the tenor or helping others to appreciate jazz music, he is focused on making the music more inclusive and accessible.