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State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Roberta Piket: West Coast Trio
by Victor L. Schermer
This album brings together New York-based pianist Roberta Piket with two outstanding musicians from the Los Angeles area: bassist Darek Oleszkiewicz and drummer Joe La Barbera. Hence the title “Roberta Piket: West Coast Trio." To spice things up, Piket brought along her long-time cohort Billy Mintz on percussion on one track, and special guest guitarist Larry ...
Teddy Wilson: Jan. 1, 1955
Sixty-three years ago, on New Year's Day in 1955, pianist Teddy Wilson, bassist Milt Hinton and drummer Jo Jones went into a studio for Norgran Records and recorded The Creative Teddy Wilson, a 7-inch 45-rpm set. The tracks were soon reissued on Verve as a 12-inch LP called Teddy Wilson: For Quiet Lovers. You'll find it ...
Jazz Musician of the Day: Teddy Wilson
All About Jazz is celebrating Teddy Wilson's birthday today! His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson\'s approach as their starting point. His early recordings were percussive and forceful, but as he matured his ...
Margrete Grarup: Denmark's jazz secret is out
by Chris Mosey
The Copenhagen daily newspaper Berlingske Tidende in 2015 called Margrete Grarup “the best kept secret in Danish jazz." In 2017, with two albums released in rapid succession on Storyville, that secret is out... and a star is born. Grarup has a wonderfully rich and expressive voice. She comes to jazz via the Scandinavian ...
Duke Ellington on Storyville Records
by Chris Mosey
The legend of Duke Ellington--one of very few jazzmen worthy of the overworked accolade “genius"--continues to unfold four decades after his death. In large part this is thanks to the efforts of Ellington himself. From 1950 to 1974, he kept a private “stockpile" of recordings made for his own pleasure... and with an ...
Alexander Hawkins
by Paolo Peviani
Il tratto principale della mia musica È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso. La qualità che desidero nei musicisti che suonano con me Gioia, apertura, generosità, e che non abbiano paure nel fare musica.
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
The Early Years of Sonny Stitt in Saginaw, Michigan
by Dustin Mallory
As one of most recorded saxophonists of his generation, Sonny Stitt made more than 100 albums under his own name. He also performed as a sideman with the likes of Miles Davis, Dizzy Gillespie, and Art Blakey. Despite the breadth of recorded work he left behind, Sonny Stitt's upbringing in Saginaw, Michigan is less well-documented. The ...
2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
