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Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Results for pages tagged "Teddy Charles"...
Teddy Charles
Born:
Teddy Charles, along with Milt Jackson and Terry Gibbs, extended the legacies of Lionel Hampton and Red Norvo and established the gold standard for modern jazz vibraphonists. Charles was also an innovative composer and arranger whose recordings were some of the most forward looking and highly regarded of the 1950s, especially his Tentet sessions for the Atlantic label in 1956. His versatility is demonstrated by the broad spectrum of musicians with whom he worked during his career ranging from jazz luminaries such as Charles Mingus, Miles Davis, and Gunther Schuller to rhythm and blues stars including Aretha Franklin, Chuck Willis, and Earl Bostic
Big Bands of the 1950s (1950 - 1957)
by Russell Perry
Woody Herman disbanded the Second Herd in 1949 and, while Stan Kenton and Duke Ellington managed to keep a big band on the road through the 1950s, Count Basie disbanded his band at the start of the decade but assembled a new one in a few years. Generally this was a tough period for large ensembles. ...
XY Quartet: Orbite
by Giuseppe Segala
La musica apparecchiata in questo Orbite, ultimo lavoro dell'XY Quartet pubblicato dalla raffinata etichetta autogestita nusica.org, si ispira all'epopea dei viaggi nello spazio. Ne sono evidente conferma i titoli dei brani, che propongono il nome di mitici cosmonauti protagonisti di storiche imprese spaziali, come i sovietici “Titov," “Gagarin," “Valentina Tereškova," “Vladimir Komarov," gli statunitensi “John Glenn," ...
Charles Mingus and Miles Davis: Changing Moods
by Mark Werlin
The recordings of Charles Mingus in the mid-1950s document a musical voice so distinctive that they are immediately recognizable today. But Mingus' obsessive commitment to the primacy of the composition was not always shared by his peers, nor understood by his critics. A public feud between Mingus, who was struggling unsuccessfully to win critical ...
Teddy Charles: New Directions
Vibraphonist Teddy Charles was playing free jazz nearly as early as Lee Konitz, Lennie Tristano, Billy Bauer and Gil Melle. In 1951, '52 and '53, Teddy recorded a series of three 10-inch LPs for Prestige in the trio, quartet and quintet formats. I was thinking of Teddy yesterday and gave them a listen, finding the material ...
Phil Woods: 1931-2015
by AAJ Staff
In memory of NEA Jazz Master, Phil Woods. This article was previously published in November 2002. All About Jazz: Looking back on the almost three decade history of your Quintet, one question springs immediately to mind. You've had the same rhythm section of Steve Gilmore on bass and Bill Goodwin on drums ever since ...
The Third Annual World Vibes Congress Creates Waves in Asbury Park
by Gloria Krolak
Another epic gathering of vibraphone players was uncorked and, like Champagne on New Year's Eve, this bubbly was not staying in the bottle. Part of the Third World Vibes Congress, the jam exploded at the packed Langosta Lounge and Restaurant on Asbury Park's boardwalk early in January. Pairs of vibes players, many of whom had never ...
Jason Adasiewicz's Sun Rooms: From the Region
by Luca Canini
Ne ha fatta di strada il barbuto Jason Adasiewicz da quando, anno di grazia 2010, il disco d'esordio del trio Sun Rooms gli fruttò l'iscrizione di diritto all'albo dei grandi. Nelle fila dell'Exploding Star Orchestra, nel quintetto Sound Is e nel trio Starlicker di Rob Mazurek, faccia a faccia con Peter Brotzmann, in allegra compagnia nel ...
Teddy Charles: la rotta di un navigatore dimenticato
by AAJ Italy Staff
Il 16 aprile 2012 moriva all'età di 84 anni Teddy Charles, uno dei massimi vibrafonisti della storia del jazz e un compositore innovativo ingiustamente sottovalutato. A un anno di distanza sentiamo doveroso ricordare il suo percorso artistico ed esistenziale, augurandoci che il contributo che ha dato allo sviluppo del jazz moderno non venga dimenticato. Strumentista, compositore ...
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