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Article: Album Review

Mark Feldman - Sylvie Courvoisier: To Fly to Steal

Read "To Fly to Steal" reviewed by AAJ Italy Staff


Si può essere troppo bravi? Sotto le spoglie di una domanda all'apparenza sciocca si nasconde un'annosa questione. Il virtuosismo come zavorra: da risorsa a limite, da mezzo a fine. Chitarristi che sfrecciano alla velocità della luce senza avere uno straccio di idea. Tastieristi da competizione per musica da circo. Non c'è peggior razza degli inutili virtuosi. ...

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Article: Live Review

Guelph Jazz Festival, September 8-12, 2010

Read "Guelph Jazz Festival, September 8-12, 2010" reviewed by Kurt Gottschalk


Guelph Jazz FestivalGuelph, CanadaSeptember 8-12, 2010 Some music festivals are holidays and some are expeditions. The annual Guelph Jazz Festival & Colloquium in Ontario has a way of being more safari than respite. The days are long, with lectures and panel discussions on some days beginning at 9:00am and concerts on others ...

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Article: Extended Analysis

John Zorn: Dictee / Liber Novus

Read "John Zorn: Dictee / Liber Novus" reviewed by Warren Allen


John ZornDictée / Liber NovusTzadik2010 If the ever-productive multi-instrumentalist John Zorn's compositional oeuvre yields one simple theme, it is the sheer variety of his interests and vision. Perhaps none of his personal oeuvres better encapsulate this than his file card compositions. These are usually extended pieces that consist ...

Album

To Fly To Steal

Label: Intakt Records
Released: 2010
Track listing: Messiaenesque; Whispering Glades; The Good Life; Five Senses Of Keen; Fire, Fist And Bestial Wall; Coastlines; To Fly To Steal.

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News: Interview

Violinist Mark Feldman Interviewed at AAJ

Violinist Mark Feldman Interviewed at AAJ

Violinist Mark Feldman started out in Chicago playing classical music and bar gigs before moving on to the Nashville scene. He emerged in New York's “downtown" circle with the likes of Arcado String Trio, trumpeter Dave Douglas, and composer-saxophonist John Zorn. His expressive, classically tinged technique was also sought for studio work with pop acts and ...

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Article: Interview

Mark Feldman: Taking an Eclectic Path

Read "Mark Feldman: Taking an Eclectic Path" reviewed by Sean Patrick Fitzell


Violinist Mark Feldman started out in Chicago playing classical music and bar gigs before moving on to the Nashville scene. He emerged in New York's “downtown" circle with the likes of Arcado String Trio, trumpeter Dave Douglas, and composer-saxophonist John Zorn. His expressive, classically tinged technique was also sought for studio work with pop acts and ...

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Article: Multiple Reviews

Mark Feldman & Sylvie Courvoisier: Oblivia & To Fly to Steal

Read "Mark Feldman & Sylvie Courvoisier: Oblivia & To Fly to Steal" reviewed by Kurt Gottschalk


Mark Feldman & Sylvie Courvoisier Oblivia Tzadik 2010 Sylvie Courvoisier--Mark Fledman Quartet To Fly to Steal Intakt 2010 The composer Olivier Messiaen might seem an odd vista from which to ...

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Article: Album Review

Sylvie Courvoisier – Mark Feldman Quartet: To Fly To Steal

Read "To Fly To Steal" reviewed by Nic Jones


Between the membership of this quartet (Mark Feldman, Sylvie Courvoisier, Thomas Morgan, and Gerry Hemingway) embodies the twenty-first century improvising musician. All four members have recorded before and in a variety of situations of wide diversity. They bring all of the experience this implies to a program that stakes out its own territory, and from start ...

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Article: Album Review

Sylvie Courvoisier / Mark Feldman Quartet: To Fly To Steal

Read "To Fly To Steal" reviewed by Glenn Astarita


Violinist Mark Feldman and his wife, pianist Sylvie Courvoisier eloquently morph restraint, depth and a contemporary classical touch into the progressive-jazz idiom on this 2010 release. Respectively, the musicians are ceaselessly engaged within the new music style of jazz and improvisation, having recorded for several record labels, spanning several years. No doubt, the duo's venerable artistic ...

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Article: Album Review

John Zorn: Femina

Read "Femina" reviewed by Martin Longley


There are two notable elements to this album, before even listening to its contents. One is that composer John Zorn has created a work that pays tribute to female creators (his name checks include Yoko Ono, Agatha Christie and Joan Of Arc). The other is that he's making a return to his fabled file-card system of ...


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