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Chris Corsano/Sylvie Courvoisier/Nate Wooley: Salt Task
by Mark Corroto
I imagine the tracks for the inaugural meeting between these improvising musicians are presented to us in the order they were recorded. I say that because the music gives the impression it is undergoing the process of refinement as the recording progresses. Perhaps, as each of the individual tracks progresses. But, like the musicians, ...
A dialogo con Andrea Massaria
by Neri Pollastri
Nel 2009 intervistammo il chitarrista triestino Andrea Massaria, allora autore di alcuni dischi in trio e in quartetto, di genere abbastanza convenzionale ma di ottima fattura, che stava avvicinandosi a un universo per lui nuovo, fatto di sperimentazione e improvvisazione radicale, testimoniati dal CD con il Chladni Experiment Trio, 5053, e dalla partecipazione a una conduction ...
Erik Friedlander: A Little Cello?
by Ian Patterson
Normally lumped into the 'miscellaneous instruments' category of jazz awards, the cello has been something of a bit player in the colorful history of jazz. That said, today there are arguably more cellists in jazz and contemporary improvised music--and some extraordinary ones at that--than ever before. One of the best known cellists is undoubtedly Erik Friedlander, ...
Things We Like: Ottobre 2016
by AAJ Staff
Finito il mese di ottobre, riprendiamo la vecchia rubrica “Things We Like," dove, un po' per passione e un po' per gioco, descriviamo le cose (musicali e non) che ci rimarranno impresse del mese appena trascorso. Alberto Bazzurro Ottobre, mese pre-referendario per eccellenza (non quel referendum...), si porta generalmente appresso una caterva ...
Evan Parker / Alexander Hawkins: Leaps In Leicester
by John Sharpe
Leaps in Leicester furthers a sequence of duets between renowned saxophonist Evan Parker and pianists that already contains such luminous entries as Rex, Wrecks and XXX (Rogue Art, 2013) with Matthew Shipp and Either, Or And (Relative Pitch, 2014) with Sylvie Courvoisier. His partner this time is Alexander Hawkins, a burgeoning presence on the UK scene ...
Ai Confini Tra Sardegna e Jazz - XXXI Edizione
by Paolo Peviani
Sant'Anna Arresi (CI) 01-10.09.2016 Per questa trentunesima edizione, il festival Ai Confini Tra Sardegna e Jazz ha messo al centro del proprio programma la figura di Frank Zappa. Trattandosi di una manifestazione prevalentemente dedicata all'improvvisazione radicale, la rivisitazione del repertorio zappiano non poteva (non doveva!) limitarsi all'agiografia, al tributo, alla riproposizione ...
Festival International de Musique Actuelle de Victoriaville 2016, Part 2
by Mike Chamberlain
Festival International de Musique Actuelle de Victoriaville Various Venues Victoriaville, Quebec May 21-22, 2016 Part 1 | Part 2 Following a memorable--in a good way--first two days of FIMAV, Saturday's program promised more highlights, anchored by three consecutive sets of musicians performing John Zorn's Bagatelles at ...
Jazztopad 2015
by Henning Bolte
National Music Forum Jazztopad 2015 Wroclaw, Poland November 21-25, 2015 The city of Wroclaw by the Odra River in the southwest of Poland has occupied a pre-eminent position throughout its long, turbulent history, and it still does. Wroclaw's Jazztopad festival is a relatively young one. This year celebrated had ...
StLJN Saturday Video Showcase: Sylvie Courvoisier and Mark Feldman
This week, let's peruse some videos of pianist Sylvie Courvoisier and violinist Mark Feldman, who are coming to St. Louis to perform in a concert presented by New Music Circle on Friday, December 4 at The Stage at KDHX. The UK newspaper The Guardian in 2013 called them “both fine-tuned virtuosi whose projects sound like edgy ...
Festival International de Musique Actuelle de Victoriaville 2015, Part 2
by Mike Chamberlain
Festival International de Musique Actuelle de Victoriaville Victoriaville, Quebec, Canada May 16-17, 2015 Part 1 | Part 2 The site of the Pavilion Arthabaska, a chalet on a hill above the town, is a popular spot in Victoriaville (think lookout and make out), not a place that is obvious ...
