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Winged Serpents: Six Encomiums for Cecil Taylor
by Karl Ackermann
The link between the late Cecil Taylor and the members of the Winged Serpents collective is one driven by admiration and inspiration, from a distance, rather than through collaboration. Taylor, in fact, had only shared billing twice in his half-century of recording. The Mary Lou Williams duet Embraced (Pablo, 1977) and Max Roach's 1979 recording of ...
Ken Vandermark / Marker: Roadwork 1/Roadwork2/Homework1 (Box Set)
by Karl Ackermann
Reed player, composer and improviser Ken Vandermark has led, or been a part of, more than fifty different groups in his prolific twenty-year recording career. Along the way he has played with many of the top talents in experimental, free, and avant-garde jazz, including Joe McPhee, Joe Morris, Paul Lytton, Marcin Oles, Adam Lane, Ab Baars, ...
Satoko Fujii: Live at Big Apple in Kobe
by Karl Ackermann
Another new formation marks the eighth entry in the sixtieth-birthday series of monthly releases from Satoko Fujii. As part of the pianist's year long celebration, she has released albums as a solo performer, a duo (with Joe Fonda), a new trio configuration with Fonda and Italian saxophonist Gianni Mimmo and another with Tamura and drummer Takashi ...
Suoni Per Il Popolo 2018
by Mike Chamberlain
Suoni Per Il Popolo Montreal, Quebec June 1-19, 2018 The Casa del Popolo and Sala Rossa, the hub of the annual June celebration of avant music known as the Suoni Per Il Popolo, sit across from one another on Saint Laurent Boulevard just below the major intersection of Saint Joseph. ...
Lakecia Benjamin in Conversation
by Nick Davies
Welcome to the first installment of The Crazeology Radio Show on All About Jazz where I play a mix of new and old tunes with a focus on progressive jazz as well as songs with a beat. This week's show includes an interview with saxophonist Lakecia Benjamin where we discuss her new album Rise (Ropeadope),
Myra Melford, Zeena Parkins, Miya Masaoka: M Z M
by Stefano Merighi
Magnifico trio di veterane della musica improvvisata che superano se stesse con una musica acuminata, provocatoria, anarchica ma dall'assoluto rigore interno. Vale a dire che pur infrangendo continuamente le regole del bon ton musicale e rischiando assai nel rifiuto quasi assiomatico del discorso narrativo, il trio trova con naturalezza una conversazione paritaria ma soprattutto sensata, cpunta ...
Sylvie Courvoisier: D'Agala
by Hrayr Attarian
Boldly innovative pianist Sylvie Courvoisier and her trio, on the brilliant and emotive D'Agala, interpret nine intimate and impressionistic musical tributes. Each original composition is intricately constructed around motifs inspired by the individual dedicatee and has plenty of room within it for spontaneous expression. For insitance, “Bourgeois's Spider (for Louise Bourgeois)" invokes the famous ...
2018 New Releases and upcoming concerts
by Ludovico Granvassu
In this episode of Mondo Jazz we preview unreleased music as well as interesting releases that will be published in the coming months. We also look into Swiss, Finnish, and French approaches to quintessentially United Statesian music genres like Hip-Hop, Jazz and Americana, which travelled to Europe and got local. We also feature Darrell Grant's and ...
Sylvie Courvoisier: D'Agala
by John Sharpe
Swiss-born, NYC-based pianist Sylvie Courvoisier reconvenes the crew which waxed the wonderful Double Windsor (Tzadik, 2014) for equally rewarding results. As one of the most highly sought after improvisers on the New York scene, Courvoisier has been able to pick her collaborators from the cream, making particularly adept choices in bassist Drew Gress and drummer Kenny ...
Sylvie Courvoisier: D'Agala
by Mark Corroto
If you have a pigeonhole into which you would like to place pianist Sylvie Courvoisier's music, maybe stop reading right now. The Swiss-born, now twenty-year native of New York, apportions her many talents to multiple ensembles and musical styles--solo to large ensemble, chamber works, Downtown jazz, flamenco, European classical and improvisation. Needless to say, stagnant is ...
