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John Kelman's Best Releases of 2017
by John Kelman
For those who may have noticed, there have been no best of lists coming from yours truly since 2014; sadly, the chronic health problem that has reduced my previous writing pace to a crawl continues without much respite. My best of the year lists have always been predicated upon having reviewed the releases chosen, and with ...
King Crimson: Sailors' Tales 1970-1972
by John Kelman
If it's a fundamental truth that adversity can sometimes bring the absolute best, creatively speaking, out of music and the people who make it, then the roughly 23 months following the release of King Crimson's classic 1969 debut, In the Court of the Crimson King (Island)--and, after a single North American tour, the breakup of its ...
Bruford: Seems Like a Lifetime Ago 1977 - 1980
by John Kelman
With the plethora of box sets being issued these days with new masters and, perhaps even more importantly, new mixes of classic recordings, it was inevitable that the small but significant discography of drummer Bill Bruford's first steps into a solo career with his band Bruford should finally get the deluxe treatment. Seems Like a Lifetime ...
Jane Getter Premonition: ON Tour
by John Kelman
With the release of ON (Madfish/Snapper, 2015)--the debut album with her newly minted Premonition band--guitarist Jane Getter completed her move from the funk/fusion guitar workouts of her first two albums (1997's Jane and 2005's See Jane Run) towards a more progressive leaning which began with Three (Alternity, 2012). It's a move that the New York-based Getter ...
King Crimson: Official Bootleg: Live in Chicago, June 28th, 2017
by John Kelman
As many King Crimson fans eagerly await the November release of its latest 40th Anniversary Series box set--this time spanning the years 1970 through 1972, when saxophonist/flautist Mel Collins was a constant alongside band co-founder/guitarist Robert Fripp for three studio albums (1970's In the Wake of Poseidon and Lizard, and 1971's Islands) and one live album ...
Steven Wilson: To the Bone
by John Kelman
From the moment that he decided to “go solo"--despite his previous flagship group, Porcupine Tree, beginning in the late '80s as a solo project that only evolved into a group when it became popular enough to necessitate putting together a band in order to perform live--Steven Wilson has, in many ways, defied categorization and expectation, while ...
Steven Wilson: To the Bone
by Geno Thackara
Wait long enough and everything old becomes new again. Steven Wilson's career has often seemed like one long exercise in putting that idea into practice. Through at least half a dozen different musical outfits, he's continually borrowed from and paid homage to the vast genre stew of music that's shaped his life, from progressive rock to ...
Festival International de Jazz de Montreal 2017
by John Kelman
Part 1 | Part 2 Festival International de Jazz de Montréal 2017 Montréal, Canada June 29-July 3, 2017 It's always a thrill to return to Le Festival International de Jazz de Montréal (FIJM). Deemed the biggest jazz festival in the world by the Guinness World Book of Records, it only ...
Theo Travis: Open Air
by John Kelman
It's been a very busy decade for Theo Travis. The British reed/woodwind multi-instrumentalist has appeared, to varying degrees, on literally every album that Steven Wilson has released since turning to a solo career in 2009--from Insurgentes and 2011's Grace for Drowning (Kscope), through 2013's best-selling The Raven That Refused to Sing (And Other Stories), 2015's commercial ...
The Man Who Changed Guitar Forever!
by John Kelman
In a time when album sales are a challenge being mitigated, at least to some extent, by the release of deluxe editions and box sets, it's still more necessary than ever to grab potential listeners with imagery and words; the title of a box set can have, especially for those less than intimately familiar with the ...
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