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Maria Schneider: On the Road Again
by Mark Robbins
Five time Grammy Award winner Maria Schneider and her eighteen-piece collective, some of the finest musicians on the jazz scene today, is on the road in 2018. All About Jazz spoke to the composer/arranger about her work, her love of music and her involvement and commitment to improve on the Music Modernization Act during a stop-over ...
John Vanore: Stolen Moments
by Angelo Leonardi
Oliver Nelson incise il magistrale The Blues and the Abstract Truth in una sola session nel febbraio 1961 con sette strumentisti lui compreso. Aveva 29 anni e guidava una formazione strepitosa con Eric Dolphy, Freddie Hubbard, George Barrow in front line e una ritmica comprendente Bill Evans, Paul Chambers e Roy Haynes. Quei nomi e la ...
Pete Malinverni: Heaven
by Angelo Leonardi
Il titolo di questo disco allude al cielo non in senso atmosferico. Il pianista Pete Malinverni ha passato 18 anni a suonare alle funzioni della Devoe Street Baptist Church in Brooklyn e dopo essere stato colpito dalla morte della moglie e dal sospetto di una grave malattia, ha pensato di realizzare un album a contenuto spirituale. ...
Buster Williams: Audacity
by Mike Jurkovic
On Audacity, his first disc as the man-in-charge since 2004's restorative Griot Liberte, venerable bassist and jazz gentlemen Buster Williams delivers a stellar set of six potent, highly charged originals mixed generously with originals from long-time band members saxophonist Steve Wilson, drummer Lenny White and pianist George Colligan. Generous is the key word here. ...
Scott Reeves Jazz Orchestra: Without A Trace
by Jack Bowers
Grudging good wishes to New Yorkers who are able to see and hear the world-class Scott Reeves Jazz Orchestra on a fairly regular basis. Everyone else must make do with the occasional recording (Without a Trace is only the second by the ten-year-old ensemble which made its debut in 2008). That's not nearly enough, of course, ...
Scott Reeves Jazz Orchestra: Without A Trace
by Edward Blanco
The Scott Reeves Jazz Orchestra follows up the highly successful debut album Portraits and Places (Origin, 2016), with another masterpiece recording on Without A Trace offering new and exciting arrangements of three standards and four creative Reeves originals that all together, pack quite a powerful musical punch. A full-tenured professor at The City University of New ...
Anat Cohen/Fred Hersch: Live In Healdsburg
by Dan Bilawsky
When you think of these two lauded artists, duo encounters aren't the first thing likely to come to mind. Pianist Fred Hersch spends most of his time toggling between solo and trio work, and it's almost impossible to keep up with the size and/or scope of clarinetist Anat Cohen's varied pursuits. But that's not to say ...
Leslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!
by Jerome Wilson
On this, her sixth album, pianist Leslie Pintchik shows that she can compose distinctive melodies. All of the original compositions she does on this CD are bright and memorable and even the two standards she covers are given surprising arrangements.She establishes herself from the beginning with the uniquely-titled “You Eat My Food." This turns ...
Leslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!
by Dan Bilawsky
If they gave out awards for album titles, this one would surely be in the running for top honors. “You eat my food, you drink my wine, you steal my girl" is a harsh and odd phrase that rolls off the tongue like some sort of backwoods country accusation-turned-lament, but its origins are far more urban ...
Michael Dease: Reaching Out
by Mark Corroto
Somebody has to be the keeper of the flame, right? In jazz, an art form that has only recently passed the century mark, that responsibility has seemed to diminish in importance. It's not that music schools aren't churning out graduates versed in the traditional repertory, and post-modern players aren't constantly pushing the envelope of possibilities. It's ...
