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MUSICIAN Born:

Steve Reid

Began playing professionally at age 16. Recorded first record with Martha & Vandella's (Motown) at age 17, working in the Apollo Theatre house band, under the direction of Quincy Jones. Worked his way through college (Aldelphi University- Garden City, New York) playing jazz six nights a week. Graduated 1965. B.A. Degree. Went to Africa for three years--performing with various African bands (e.g. Guy Warren, Fela Ransome Kuti, Alpha Jazz Band, Leone Starrs, Black Star Tour) for the governments of several African nations including Nigeria, Liberia, Senegal, Ivory Coast, Congo, Morocco and Egypt. First jazz musician to receive first of several grants from the National Endowment for the Arts, under the chairmanship of Nancy Hanks

NEWS: RECORDING

Previously Unknown Steve Reid's Recording (2000) Is Now On Bandcamp!

Previously Unknown Steve Reid's Recording (2000) Is Now On Bandcamp!

After 20 years, I finally decided to go ahead and release this exciting album on Bandcamp. It demonstrates Steve Reid extraordinary ability to spontaneously orchestrate within a jazz quartet, his inventiveness and wide range of dynamics, whether in a modal tune, a free-jazz composition or a romantic jazz standard. The bassist Chris Lachotta met Steve Reid ...

ARTICLE: ALBUM REVIEW

Emanative & Phil Ranelin: Vibes From The Tribe

Read "Vibes From The Tribe" reviewed by Chris May

The Tribe referred to here was a musicians' cooperative in jny: Detroit, Michigan, active from 1972-1977. It was co-founded by trombonist Phil Ranelin and saxophonist Wendell Harrison and was equal parts band, record label and community project. Trumpeter Marcus Belgrave was among the members. The organization had close affinities with jny: Chicago's Association for the Advancement ...

ARTICLE: ALBUM REVIEW

Emanative: Earth

Read "Earth" reviewed by Chris May

Every so often an album comes along that is so sweeping in its cultural scope, and so far beyond the norms of critical discourse, that it almost beggars description. Such a disc is Earth, the fourth physical-release album from drummer and producer Nick Woodmansey's Emanative and the follow-up to the band's outstanding The Light Years Of ...

ARTICLE: LIVE REVIEW

Like A Jazz Machine 2017

Read "Like A Jazz Machine 2017" reviewed by Ian Patterson

Like A Jazz Machine Centre Culturel Regionel Opderschmelz Dudelange, Luxembourg May 25-28, 2017 Size, as Like A Jazz Machine knows, isn't everything. The audience in the Centre Culturel Regionel Opderschmelz amounts to just four seated rows downstairs, with a small standing section to the rear, and ten rows ...

ARTICLE: PROFILE

Arthur Blythe, 1940-2017: A Remembrance

Read "Arthur Blythe, 1940-2017: A Remembrance" reviewed by Todd S. Jenkins

The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...

ARTICLE: ALBUM REVIEW

Frank Lowe: Out Loud

Read "Out Loud" reviewed by John Sharpe

In the spring of 1974, the storied ESP label had just released the leadership debut of thirty-year old reedman Frank Lowe, and now he was considering his next move. Val Wilmer in her groundbreaking As Serious As Your Life (Quartet Books, 1977) observes about Lowe: “Everywhere you go in New York you'll run into him, working ...

ARTICLE: ALBUM REVIEW

Frank Lowe: Out Loud

Read "Out Loud" reviewed by Hrayr Attarian

The year separating Thanksgivings of 2013 and 2014 has abounded in historic reissues and discoveries. There are several from idiosyncratic bandleader Sun Ra in addition to ones from saxophonists John Coltrane, Clifford Jordan and Charles Lloyd. And of course there are such gems as the third volume of trumpeter Miles Davis' Fillmore bootlegs and clarinetist/saxophonist Jimmy ...

ARTICLE: ALBUM REVIEW

Frank Lowe: Out Loud

Read "Out Loud" reviewed by Mark Corroto

Musical archeology has become somewhat of a trend these days. It might be explained, in part by the rebirth of vinyl and the excavation of long out-of-print titles, but also there are scores of devoted collectors who've discovered unpublished recordings of significant artists. For the serially neglected avant-garde of jazz, some of these finds have been ...

ARTICLE: ALBUM REVIEW

The Grip: Celebrate

Read "Celebrate" reviewed by John Eyles

The Grip is an exciting new trio consisting of three well-connected London-based players each with a track record of proven success and innovation in a variety of contexts--saxophonist and flautist Finn Peters, tuba player Oren Marshall and drummer Tom Skinner. The group name is a reference to the cIassic Arthur Blythe album The Grip (India Navigation, ...


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