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PRISM Quartet: Heritage/Evolution, Volume 1
by Karl Ackermann
Not quite as well-known as the World Saxophone Quartet or the Rova Saxophone Quartet, the PRISM Quartet practices a unique approach to this category of ensemble playing. In part, PRISM takes a more direct aim on improvisation as opposed to the more blended method of WSQ or the openly free style of Rova. More idiosyncratic is ...
2014: The Year in Jazz
by Ken Franckling
The year 2014 turned out to be a year noteworthy for its numbers. Newport turned 60, Blue Note turned 75, International Jazz Day's third edition featured 900 events in more than 190 countries. The jazz world lost seven of its NEA Jazz Masters, and New Orleans trumpeter Lionel Ferbos died at 103. Sad but not unexpected, ...
I dischi del 2014
by Enrico Bettinello
Condensare il meglio di un anno di musica in soli dieci dischi! Che follia! In fondo sono le classifiche stesse a essere un po' una follia e come tutte le follie va presa con un po' di leggerezza. Le obiezioni sono sempre le stesse: chissà quante cose i redattori di AllAboutJazz Italia non hanno ...
Mise en Abîme
By Steve Lehman
Label: Pi Recordings
Released: 2014
Track listing: Segregated and Sequential; 13 Colors; Glass Enclosure Transcription; Codes: Brice Wassy; Autumn Interlude; Beyond All Limits; Chimer/Luchini; Parisian Thoroughfare Transcription.
Steve Lehman: Mise en Abîme
by Hrayr Attarian
Saxophonist Steve Lehman's 12th release as a leader/co-leader and his second one with an octet Mise en Abime is a cohesive work of intriguingly cerebral and dramatic nature. Like the title implies there are concepts that repeat, amplify and fade in the process of constructing and deconstructing the main themes of the album. On ...
Henry Threadgill: Very Very Threadgill 2014
by Kurt Gottschalk
Henry Threadgill Harlem Stage Gate House Very Very Threadgill New York, NY September 27-28, 2014 Henry Threadgill isn't one to repeat himself. In nearly 40 years of recording, he's only repeated a few compositions. So why would a retrospective of his work by a mere recapitulation? Very Very Threadgill--held ...
Jason Moran: All Rise: A Joyful Elegy for Fats Waller
by Mark F. Turner
Jason Moran is an artist who is not afraid to look back while constantly pressing forward. The 2010 MacArthur Fellow is a leading jazz pianist with moments of kinetic energy, agility, and sensitivity, the likes of his one-time teacher, the great Jaki Byard. Whether performing with varied ensembles and musicians, bringing new perspectives as the Artistic ...
Tyshawn Sorey: Alloy
by Karl Ackermann
From an early age composer/drummer/educator Tyshawn Sorey has found creative outlets in not just music but in painting and literature as well. Never one to compartmentalize his own imagination, he has enthusiastically explored blues, gospel, classical and music for dance so it seems quite natural that his current music defies categories. Whether listening or writing, he ...
Take Five With Evan Shay
by AAJ Staff
Meet Evan Shay: Evan Shay is a saxophonist and composer based in Montreal. He recently completed his Bachelor of Music in Jazz Performance at McGill University with the distinction of Outstanding Achievement in Jazz Saxophone. He was also awarded the prestigious four-year Seymour Schulich Scholarship. Evan was a member of the top McGill Jazz Orchestra ...
Steve Lehman Octet: Mise en Abîme
by Martin Longley
It's been five years since Steve Lehman's last Octet album, so we're now voracious for more expanded material. Right at the start, his alto saxophone is briefly alone, and then the entire ensemble weighs in, earthy yet finely controlled. Chris Dingman's customised vibraphone is absolutely central to the sound of these Lehman originals, most of which ...
