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485

Article: Album Review

John Hebert: Byzantine Monkey

Read "Byzantine Monkey" reviewed by Nic Jones


Bassist John Hebert was a member of guitarist Mary Halvorson's trio that put out the memorable Dragon's Head on Firehouse 12 in 2008, while Michael Attias has recorded with guitarist Bruce Eisenbeil on Opium (2002) for CIMP, one of the most rewarding titles of the last ten years. This program thus has a lot to live ...

491

Article: Album Review

Bobby Broom: Plays For Monk

Read "Plays For Monk" reviewed by Mark Corroto


Monk lives! Perhaps it can be said that Thelonious Monk has had many lives. Ever since the unique pianist established his repertoire in the 1940s and '50s musicians have, probably beginning with saxophonist Steve Lacy, taken up the task of covering the now infamous music. With Plays for Monk, guitarist Bobby Broom delivers one of the ...

353

Article: Album Review

Oran Etkin: Kelenia

Read "Kelenia" reviewed by Martin Gladu


As the open air arias of grilling cicadas and bustling barbecues mix in with the distant thumping of convertibles to announce the new solstice, what better than a hot, mellifluously ornate African chant to brush off what is left of spring and get everyone in a festive mood?The cause of celebration? Summer, of course. ...

94

News: Interview

Pianist Antonio Ciacca Interviewed at AAJ

Pianist Antonio Ciacca Interviewed at AAJ

Antonio Ciacca knows a thing or two about multi-tasking. The New York-based pianist is a tireless statesman of jazz, composing music for his own small groups, arranging for various big bands and working as Director of Programming for Jazz at Lincoln Center. Adding to all of this, Ciacca and his wife are busy raising five children ...

703

Article: Interview

Antonio Ciacca: Bringing People Together Through Swing

Read "Antonio Ciacca: Bringing People Together Through Swing" reviewed by John Barron


Antonio Ciacca knows a thing or two about multi-tasking. The New York-based pianist is a tireless statesman of jazz, composing music for his own small groups, arranging for various big bands and working as Director of Programming for Jazz at Lincoln Center. Adding to all of this, Ciacca and his wife are busy raising five children ...

340

Article: Album Review

Lucky Thompson: New York City (1964-65)

Read "New York City (1964-65)" reviewed by George Kanzler


Eli “Lucky" Thompson should be remembered as one of the premier tenor saxophonists of the bebop/hard bop era, right along with Sonny Rollins and John Coltrane. Before Rollins, he had recorded with piano-less trios; before Coltrane he had taken up, and mastered, the soprano sax. And he appeared on one of Miles Davis' most influential record ...

265

Article: Album Review

Ronnie Boykins: The Will Come, Is Now

Read "The Will Come, Is Now" reviewed by Jerry D'Souza


Ronnie Boykins is probably best known for being a member of the Sun Ra Arkestra. During that time, the Arkestra made some of its best recordings and Boykins was an integral part of the equation. He integrated his relationship with Sun Ra to gear the forward movement of the music. In his individual contributions on the ...

279

News: Interview

Trumpeter Cindy Bradley Interviewed at AAJ

Trumpeter Cindy Bradley Interviewed at AAJ

Cindy Bradley first picked up the trumpet in the fourth grade and hasn't put it down since. She learned the importance of professionalism early on, playing at the age of 12 in a Buffalo area jazz band. Bradley would go on to earn a bachelor's degree in Jazz Studies from Ithaca College and a Master's degree ...

997

Article: Interview

Cindy Bradley: Ready to Bloom

Read "Cindy Bradley:  Ready to Bloom" reviewed by Jeff Winbush


Cindy Bradley first picked up the trumpet in the fourth grade and hasn't put it down since. She learned the importance of professionalism early on, playing at the age of 12 in a Buffalo area jazz band. Bradley would go on to earn a bachelor's degree in Jazz Studies from Ithaca College and a Master's degree ...

191

Article: Album Review

Frank Carlberg: The American Dream

Read "The American Dream" reviewed by Eyal Hareuveni


The poetry of Robert Creeley (1926-2005) has been arranged a few times in jazz settings and acknowledges the music's strong influence on his work. The late saxophonist Steve Lacy arranged the introspective and laconic verses of Creeley into an almost operatic setting in Futurities (Hat Hut, 1985) and later on The Beat Suite (Universal, 2003). In ...


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