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Trio DEF: Trio DEF
by Dave Wayne
Based in Canada, with members resident in Ottawa, Montreal and New York City, Trio DEF overcomes logistical hurdles to create some mighty fine guitar trio jazz and jazz-rock on their eponymous debut. Bassist Marc-Andre Drouin, a completely unfamiliar name to me, plays the plugged-in variant with the elasticity and warmth of an acoustic bassist. He is ...
Take Five with Eddie Reyes
by AAJ Staff
Meet Eddie Reyes: Eddie Reyes has evolved a unique and personal style on the guitar. Although for much of his playing career he has focused on electric jazz guitar, he now turns mostly to the acoustic. He has evolved his style from, first, a fascination with Brazilian Jazz to his present passion, Flamenco. In the ...
Steve Khan: Eyewitness
by John Kelman
Steve KhanEyewitnessAntilles1981 Today's Rediscovery represented a significant turning point for an artist who'd already made a name for himself in the '70s as part of the scene that included The Brecker Brothers, David Sanborn and Mike Mainieri. Guitarist Steve Khan, along with playing with many of the artists in ...
Michael Brecker: Now You See It...(Now You Don't)
by John Kelman
Michael Brecker Now You See It...(Now You Don't)MCA1990 Today's Rediscovery is Now You See It...(Now You Don't), by saxophone giant Michael Brecker. After the one-two punch of his first two recordings as a leader (excluding his 1982 collaboration with Claus Ogerman, Cityscape)-- Michael Brecker (Impulse!, 1987) and Don't Try ...
Subtext
By Steve Khan
Label: Tone Center
Released: 2014
Track listing: Bird Food; Blue Subtext; Baraka Sasa; Infant Eyes; Heard; Never Let Me Go; Cada Gota de Mar; Hackensack; Bait and
Switch.
John Kelman's Best Releases of 2014
by John Kelman
2014 was another challenging year, with a personal health matter that began in early summer (thankfully finally diagnosed, non-life threatening and now being treated, though still waiting for signs of improvement) slowing down both travel and the usual breakneck writing in a significant way. Since the rule of this list is that any titles on it ...
Steve Khan: Subtext
by Mark F. Turner
From his obscure gems on Columbia Records--Tightrope (1977), The Blue Man (1978) and Arrow (1979), or the critically acclaimed 1980s Eye Witness recordings, to 2011's Latin-tinged Parting Shot (Tone Center), jazz guitarist Steve Khan continues to deliver his unique artistry--exquisite touch, expressive solos, and warm tonality--that's made his music identifiable. Subtext finds that mastery still intact ...
Steve Khan: Subtext
by Glenn Astarita
Steve Khan has always been a consummate, story-telling improviser. His extensive resume and distinguished solo career spans jazz fusion, modern mainstream, and with Subtext, he delves a bit deeper into the Latin element, when looking back at his days recording and performing with former Weather Report percussionist Manolo Badrena who was a member of Khan's early ...
Subtext
by John Kelman
Change is a fact of life, and it's something that's better to be embraced than challenged; as inevitable as death and taxes, it's one of those things that you may as well accept, because there are few, if any, options to do otherwise. That said, while the then-aptly titled Parting Shot (Tone Center, 2011) suggested that ...
Guitarist Steve Khan Returns With "Subtext" (Tone Center) - June 24 Release
With Subtext, the unique trajectory of Steve Khan’s musical story expands and evolves, while re-asserting its linkage to the broad sweep of a fascinating discography, one off to the side of conventional. In short, Khan’s body of recorded work affirms that common ideal and true ambition defining jazz artistry: to create a personal, identifiable voice.Ever the ...
