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About Benoit Viellefon
Instrument: Guitar and vocals
Results for pages tagged "Stephane Grappelli"...
Benoit Viellefon
Born:
BENOIT VIELLEFON
Benoit Viellefon is one of the last "old fashion" band leaders keeping the craft alive in Europe today, backed by an all star cast of the UK's finest swing musicians. Here is his story.
Whether it be as a lifelong student of the glorious gypsy guitar musings of Django Reinhardt or as a crew member and specialist mechanic on 1930s De Havilland Tiger Moth airplanes, Benoit has always had a penchant for the nostalgic things in life. Like the man himself, Benoit's music is characterized by its distinctive elegance and boundless energy.
Aline Homzy: éclipse
by Pierre Giroux
An adage goes: “Patience Is A Virtue." That saying may be perfectly exemplified with the release of violin virtuoso Aline Homzy's recording Éclipse, which has been ten years in the making. This Canadian-American artist's long-awaited debut combines the jazz violin tradition into the contemporary world with improvisation and subtle composition. Joining Homzy under the rubric of ...
Tommy Halferty, Cormac O'Brien, Greg Felton At Scott's Jazz Club
by Ian Patterson
Tommy Halferty, Cormac O'Brien, Greg Felton Scott's Jazz Club Jazz In The Round Belfast, N. Ireland March 31, 2023 Sergei Rachmaninoff surely wouldn't have minded. As Chamber Choir Ireland was tackling the Russian composer's choral masterpiece All Night Vigil in a Belfast monastery, across town in Ballyhackamore another ...
Ola Kvernberg & The Trondheim Soloists: The Mechanical Fair Live
by Chris May
Ola Kvernberg's Steamdown (Grappa) was perhaps the most sensationally visceral album to come our way during 2018. Part future-jazz, part EDM, part avant-rock, part contemporary-classical and 100% wrap-around shamanistic. It was Kvernberg's follow-up to The Mechanical Fair (Jazzland, 2014), which is here in an extensively recalibrated version recorded live at the Molde International Jazz Festival in ...
Joe Pass: Meditation
by Ken Dryden
Although a few jazz guitarists still perform solo concerts in the early days of the 21st century, none of them has produced anything approaching the series of live recordings by Joe Pass during his two decades as a Pablo artist. Incredibly, Pass maintained that playing unaccompanied on stage wasn't even his idea. During my November 1993 ...
Jazz Musician of the Day: Stephane Grappelli
All About Jazz is celebrating Stephane Grappelli's birthday today! Stephane Grappelli (originally surname was spelled with a 'Y') would have earned himself a place in Jazz History books if only for his important role in the Quintette of the Hot Club of France, featuring the dazzling virtuosity of Django Reindhart. Grappelli's violin was the perfect foil ...
String Players: From Django Reinhardt to Joe Morris and Beyond
by Jerome Wilson
This program focuses on string players of all types, mostly guitarists but with some bassists and violinists also thrown in. The show ranges from classic players like Kenny Burrell and Barney Kessel to modernists like Joe Morris and Mary Halvorson. There is even a set on gypsy/Western swing. Playlist Henry Threadgill Sextett “I Can't ...
The Roma: The Roots of Flamenco, Gypsy Jazz, and Miles Davis' "Sketches of Spain"
by Martin McFie
In 1959, a magical year for jazz albums, Miles Davis, inspired by some flamenco performances he had heard, recorded Sketches of Spain (Columbia, 1960) at Columbia's 30th Street studio. Half of the album is a beautiful orchestral interpretation of the classical guitar piece “Concierto de Aranjuez," written twenty years before the Davis recording, by Joaquin Rodrigo, ...
Jazz Musician of the Day: Stephane Grappelli
All About Jazz is celebrating Stephane Grappelli's birthday today! Stephane Grappelli (originally surname was spelled with a 'Y') would have earned himself a place in Jazz History books if only for his important role in the Quintette of the Hot Club of France, featuring the dazzling virtuosity of Django Reindhart. Grappelli's violin was the perfect foil ...
Fit As A Fiddle: How The Violin Helped Shape Jazz, Part 1
by Peter Rubie
Part 1 | Part 2 That was then... Considering jazz is an art form that mostly makes it up as it goes along, it's ironically appropriate that printed records--i.e., data--from the days of its birth are decidedly sparse. We know, at least, that during the 18th and 19th Centuries in New Orleans white plantation ...
