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Resonance Records: Non-Profit Jazz Label with a Mission
by Samuel Chell
It's a story often heard before: musically, these are the best and worst of times. Only this time, in 2010, it seems different. Even as the pool of fresh talent expands, jazz continues to witness a dearth of venues along with the slump in CD sales. Uncounted numbers of talented musicians, young and otherwise, are reduced ...
John Pizzarelli: A Tribute to Duke Ellington
by Matthew Warnock
John Pizzarelli is a man of many talents. Singer, guitarist, bandleader and arranger, depending on the circumstances Pizzarelli can step into any or all of these roles and perform at the highest level. Coming from one of the most successful families in jazz, his brother [Martin Pizzarelli] being an accomplished bassist and father the legendary seven-string ...
Take Five With The Rosenberg Trio
by AAJ Staff
Meet The Rosenberg Trio:After learning as gipsy boys do, by ear and restless practice since childhood days, Stochelo Rosenberg, Nonnie Rosenberg and Nous'che Rosenberg have become The Rosenberg Trio, the world's most prestigious and longest running band in the Style of Django Reinhardt. Stéphane Grappelli himself adopted them, toured and recorded with them, whom ...
In Love With Voices: A Jazz Memoir
by Ken Dryden
In Love With Voices: A Jazz Memoir Brian Torff Softcover; 236 pages ISBN: 1440112851 iUniverse 2009 Brian Torff is a widely experienced jazz bassist who has recorded and played with numerous greats, including violinist Stephane Grappelli, clarinetist Benny Goodman, singers Frank Sinatra and Mel Torme, and ...
Sizhukong: Paper Eagle
by Ian Patterson
Jazz's first century has thrown up few examples of Chinese folk music which has found new voice in this idiom. Buck Clayton, in collaboration with Li Jinhui, spent two years in Shanghai in the mid-1930s, adapting Chinese folk music to ballroom jazz, but nothing was recorded. Jazz's second century should see a change in this situation, ...
Sizhukong: It Don't Mean a Thing if it Ain't Got That Oon
by Ian Patterson
It is something of a paradox that the western world knows so relatively little about modern China, even as the awakening giant's influence in the world is increasing. Who knows exactly what music is fermenting in its endless metropolises and among its multitude of ethnicities? Who knows what musical experiments and innovations are exciting passions and ...
Eberhard Weber: Colours
by John Kelman
As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...
Svend Asmussen: Rhythm Is Our Business
by Chris Mosey
Once, as they were jamming, Duke Ellington's drummer Sam Woodyard called out to Danish violinist Svend Asmussen, “Man, you play your ass off," to which The Fiddling Viking replied, with that charmingly naïvely innocent wit so typical of his homeland, “From now on then my name is only Mussen." There is just one ...
The Revival of Gypsy Jazz
by Nick Catalano
I took note of the revival of “Gypsy jazz" sounds when I reviewed CDs by the Hot Clubs of Detroit and San Francisco in this column last year. I have often attended the Django Reinhardt festivals at Birdland and monitored the “invasion" of large numbers of French musicians at concerts in New Orleans and other cities. ...
Hot Club of San Francisco: Hot Club Cool Yule
by Dr. Judith Schlesinger
The liner notes imply that this is the Christmas album Django Reinhardt and Stephane Grappelli might have made, had they made one. Certainly the The Hot Club of San Francisco is a virtuosic group that specializes in conjuring that era (see their masterful Bohemian Maestro for a recent example). But there's a wealth of delicious humor ...
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