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271

Article: Album Review

Stanley Turrentine: Don't Mess With Mister T.

Read "Don't Mess With Mister T." reviewed by Dan Bilawsky


When the CTI label originally released tenor saxophonist Stanley Turrentine's Don't Mess With Mister T. in 1973, it managed to bring music to the public that served as a sign of the times, while also helping to define the times. The soul within Turrentine's horn had been at the center of his earlier successes for the ...

267

Article: From Far and Wide

A Merger In Jazz Education

Read "A Merger In Jazz Education" reviewed by Ed Hamilton


A musical merger of higher education has been established at the last university to include jazz into their curriculum--UCLA. Jazz Studies, under Director/guitarist Dr. Kenny Burrell, The Herb Alpert School of Music , and the Thelonious Monk Institute, guided by Herbie Hancock, have all joined jazztistical bonds in providing not only jazz but all-around musical learning ...

229

Article: Take Five With...

Take Five With Paul Lieberman

Read "Take Five With Paul Lieberman" reviewed by AAJ Staff


Meet Paul Lieberman: After a session at Mickey Hart's, Gil Evans noted to Airto Moreira: “everything he plays sounds right," and David Sanborn responded to a show in New York with a surprise kiss. Saxophonist and flutist Paul Lieberman's 2011 CD ibeji features a number of legendary musicians: Rufus Reid and Nilson Matta on ...

180

Article: Album Review

Carolyn Nelson: Come a Little Closer

Read "Come a Little Closer" reviewed by Chris M. Slawecki


Carolyn Nelson has one of those voices that might lead you to think you've heard her sing before. And you might have: although Come A Little Closer is her solo debut, Nelson has performed throughout the US and Canada plus two tours of Spain (she can sing in five languages), has appeared on the daytime TV ...

233

Article: From the Inside Out

Voices Instrumental in Jazz

Read "Voices Instrumental in Jazz" reviewed by Chris M. Slawecki


Natacha AtlasMounqalibaSix Degrees Records2010 Vocalist Natacha Atlas seems to embody the modern musical millennia: She was born in Brussels and raised in one of its Moroccan suburbs; her compositions and singing reach into and crisscross storied European and Arabic musical traditions. Primarily co-written ...

83

Article: Album Review

Stanley Turrentine: Salt Song

Read "Salt Song" reviewed by Dan Bilawsky


Stanley Turrentine's Sugar (CTI, 1970) has always stood out as the defining album in the tenor saxophonist's post-Blue Note discography, but that recording only marked the beginning of his beautiful relationship with Creed Taylor's CTI imprint. Turrentine's time with the label spanned the first half of the '70s and produced a few other winning albums that ...

92

News: Recording

CTI Records 40th Anniversary Celebration Continues

MASTERWORKS JAZZ continues the celebration of the 40th anniversary of CTI Records, the beloved jazz label founded in 1970 by producer Creed Taylor with the release of 4 more classic reissues available on April 12, 2011. They include: George Benson's Beyond the Blue Horizon, Freddie Hubbard's First Light, Don Sebesky's Giant Box and Stanley Turrentine's Salt ...

182

News: Book / Magazine

Cross-Post: Jazz and Food

One of my colleagues is an avid foodie, with an excellent blog called Oh! You Cook! She recently uncovered a cookbook called Jazz Cooks and asked me if I would like to cross-post with her about jazz and food. The recipes she picked from the cookbook belong to jazz legends Joe Henderson, Stanley Turrentine and Rashied ...

235

Article: Extended Analysis

Gene Ludwig: Love Notes Of Cole Porter

Read "Gene Ludwig: Love Notes Of Cole Porter" reviewed by Justin Vargo


Gene LudwigLove Notes Of Cole PorterBig O Records2011 Nearly two years prior to his untimely death in July of 2010, Pittsburgh organist Gene Ludwig recorded this tribute to composer Cole Porter. Thanks to the efforts of Ludwig's wife and the folks at Big O Records, Ludwig's final ...

527

Article: Interview

Geni Skendo: Breaking Free

Read "Geni Skendo: Breaking Free" reviewed by Gordon Marshall


Flautist and shakuhachi master Geni Skendo does not genre-mash so much as genre-crash, like a late-night interloper joining a lame party and livening it up with exotic sound. It's miraculous, this color he brings to anything, given the drab Iron Curtain he exited under on his flight from his native Albania, traveling to Boston, Massachusetts to ...


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