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10th Bray Jazz Festival
by Ian Patterson
10th Bray Jazz Festival Bray, Ireland May 1-3, 2009 The small town of Bray in county Wicklow is not the most obvious location for an international jazz festival. Situated twenty kilometers south of the capital Dublin and hugging the coast, it has been battered by the Irish Sea since at least 1300, ...
Gary Burton: Forging Ahead
by R.J. DeLuke
"I got started in Nashville and knew a lot of the country musicians. I got my first record contract from Chet Atkins who saw me playing in a local club in Nashville and who decided to talk to RCA and get them to offer me a long-term contract," says this renowned musician born in a small ...
Stan Getz: At The Shrine
by Chris May
This latest reissue in the Verve Originals series--which in early 2009 brought us the superb five-CD box set Stan Getz: The Bossa Nova Albums--tends to be overlooked when lists of tenor saxophonist Stan Getz's early classics are compiled. A 1954 live recording from The Shrine in Los Angeles, it was originally released on Norman Granz's Norgran ...
Icons Among Us: Jazz in the Present Tense - World Premiere
by Eric Benson
Icons Among Us: Jazz in the Present TenseWorld PremiereThe Allen Room at Jazz at Lincoln CenterNew York, NYApril 15, 2009 The Jazz Wars are over. Now what? A new documentary asks. Since the early 1980s, jazz has been engaged in its own nonviolent, low-intensity civil war. Decentralized and ...
Diana Krall: Quiet Nights
by C. Michael Bailey
The origin of the phrase Bossa Nova is as complex as the Brazilian culture from which the music sprung in the late 1950s and early 1960s. Nominally translated into “Our New Thing," Bossa Nova was developed by Brazilian composers Antônio Carlos Jobim, Vinicius de Moraes and João Gilberto, and is characterized by a samba rhythm with ...
Trio of One: Fly at the Jazz Standard
by Eric Benson
FlyJazz StandardNew York, NYApril 10, 2009 Instruments are versatile husks, possessing limited range and a particular timbre, but no set personality of their own. The piano can channel the thoughts of musicians as different from one another as Cecil Taylor and Bill Evans; the saxophone can express the passions of Stan ...
Will Sellenraad: Balance
by Greg Camphire
Balance is the third album as leader for up-and-coming guitarist Will Sellenraad, capturing a day's session of his seasoned working band laying down first or second studio takes of their current repertoire. The six-stringer has a classic tone reminiscent of Wes Montgomery and Grant Green, and it serves him well on this set of mostly his ...
Stan Getz: Dynasty
by Chris May
Verve's Originals series, which in late 2008 brought us tenor saxophonist Stan Getz's wonderful box set The Bossa Nova Albums (Verve, 2008), follows through with a remastered reissue of Dynasty, a double album recorded in 1971, a decade or so after Getz gave jazz its final, sustained hurrah in the pop charts with bossa nova. Relatively ...
Louie Bellson: Tasteful Drummer, Sweeter Guy
by Jack Bowers
To say that drummer extraordinaire Louie Bellson, who left us on February 14, 2009 at age eighty-four, had a remarkable career would be to explicitly understate the record. Bellson's success at age 17 in a nationwide contest sponsored by one of his idols, Gene Krupa, and Slingerland Drums set the talented wunderkind on a path that ...
Chuck Loeb: Between 2 Worlds
by Woodrow Wilkins
A knock on smooth jazz is that it's too bland--safe for those who don't fully appreciate instrumental music, but boring to those who do. Once in a while an artist whose music fits within the format breaks from the pack. Enter guitarist Chuck Loeb. Over the years, Loeb has associated with many across ...
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