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14

Article: Record Label Profile

7Dreams: The Story of a Country, a Friendship and a Sound

Read "7Dreams: The Story of a Country, a Friendship and a Sound" reviewed by Jakob Baekgaard


One of the things that is great about the digital age is how easy it is to get access to music from different parts of the world. Pluralism is the keyword. Jazz is not just one thing and each country has its specific take on the jazz tradition. However, sometimes jazz musicians of a ...

10

Article: Album Review

Joe Harriott Quintet: Abstract/Southern Horizons/Free Form

Read "Abstract/Southern Horizons/Free Form" reviewed by Duncan Heining


Swing Low, Sweet Harriott I don't think Joe Harriott's entire catalogue has ever been available at one time. Even in his heyday in the sixties, much of the 1950s material was unavailable. From the seventies onwards, things got really dire. Now that so much is out of copyright, Harriott's work is increasingly being reissued ...

56

Article: Jazz Primer

John Coltrane and the Meaning of Life

Read "John Coltrane and the Meaning of Life" reviewed by Douglas Groothuis


Few jazz musicians inspire more respect or demand more attention than John Coltrane. Elvin Jones, Coltrane's drummer in “The Classic Quartet" (1961-65), said that most people who listen seriously to John Coltrane's music eventually acquire all of his recordings. I find that those who hear Coltrane for who he was want to hear all that he ...

25

Article: My Blue Note Obsession

Fats Navarro and Tadd Dameron – The Complete Blue Note and Capitol Recordings

Read "Fats Navarro and Tadd Dameron – The Complete Blue Note and Capitol Recordings" reviewed by Marc Davis


There aren't many jazz records I'd consider essential. This is one. Granted, Fats Navarro isn't in the pantheon of jazz trumpeters. For starters, he didn't live long enough. He died in 1950 at age 26, so his discography is short. For another, Navarro's brief career overlapped that of trumpet legend Dizzy Gillespie, and came ...

15

Article: Year in Review

2014: The Year in Jazz

Read "2014: The Year in Jazz" reviewed by Ken Franckling


The year 2014 turned out to be a year noteworthy for its numbers. Newport turned 60, Blue Note turned 75, International Jazz Day's third edition featured 900 events in more than 190 countries. The jazz world lost seven of its NEA Jazz Masters, and New Orleans trumpeter Lionel Ferbos died at 103. Sad but not unexpected, ...

7

Article: Album Review

New Vocabulary: New Vocabulary

Read "New Vocabulary" reviewed by Mark Corroto


Saxophonist Ornette Coleman has such an original voice that his horn would be recognizable if he sat in with a Japanese noise band. Like late-Miles Davis appearances, the pleasure is hearing his distinctive blues-drenched sound, the plaintive cry of his alto saxophone. He last surfaced, on a recording that is, with Sonny Rollins' Road Shows, Vol. ...

4

Article: Album Review

Bud Powell: Bouncing With Bud

Read "Bouncing With Bud" reviewed by Chris Mosey


This album has cropped up in various guises over the years. Most recently it was part of Storyville's In Copenhagen series." It's back, as part of the same label's Remastered Vinyl collection. Powell was one of the most talented yet tragic artists in jazz history, a giant of the bebop era who translated ...

Album

Road Shows, Vol. 3

Label: Doxy Records
Released: 2014
Track listing: Biji; Someday I'll Find You; Patanjali; Solo Sonny; Why Was I Born?; Don't Stop The Carnival.

17

Article: Year in Review

Dan Bilawsky's Best Releases of 2014

Read "Dan Bilawsky's Best Releases of 2014" reviewed by Dan Bilawsky


How does an album end up on this list? It really comes down to two things: strength on impact and staying power. Some records hit hard from the start, ultimately losing power with play after play. Other records come on gently, growing on the ear and the mind over time. But it's the truly rare one ...

2

Article: Album Review

Assif Tsahar, Gerry Hemingway, Marc Dresser: Code Re(A)d

Read "Code Re(A)d" reviewed by Alberto Bazzurro


Ogni tanto fa piacere imbattersi in lavori che mostrino di raccogliere con la dovuta coerenza filologica (che non vuol dire riciclo mani e piedi) la lezione del free jazz storico. È quanto accade in questo bell'album, che riunisce una volta di più una coppia ritmica (chiamiamola così, per comodità) in sella ormai da una trentina d'anni ...


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