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Results for "Sonny Rollins"
Our Man in Paris: An American Travelogue
by David Brown
For this week's show, let's travel to Europe with a variety of American artists performing in France, recording for French film soundtracks, and collaborating with French artists. Etes-vous prêt? Co-hosted by Lisa Jo Epstein. Playlist Thelonious Monk Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 06:10 Sidney Bechet Ooh Boogie!" from Sidney Bechet ...
Count Basie: Late Night Basie
by Jack Bowers
Late Night Basie: great idea. Three tracks by the Basie Orchestra and four by other assorted groups: not-so-great idea. Enlisting Jazzmeia Horn to scat on the Basie classic One O'Clock Jump": rather pointless. Compressing seven numbers (eight, actually) into a meager twenty-four--or perhaps more like twenty-eight--minutes (including a bonus" track): head-scratching. Mind you, the other ensembles ...
Sonny Rollins: Go West! The Contemporary Records Albums
by Richard J Salvucci
Apparently, the median age of a jazz listener is in his or her mid to late 40s. So, perhaps, the representative listener was born in the mid-1970s. Sonny Rollins first recorded in 1949. The recordings reviewed here were made in the late 1950s, well before many contemporary listeners were born. While there have been ample reissues ...
Color Red Records: A Label, Sound, and Vision
by Chris M. Slawecki
When Eddie Roberts, leader of The New Mastersounds, moved to Denver, Colorado, in 2015, he discovered a local music scene that contributed to his vision for a new type of music organization: a label that would be more than a label, producing and releasing music that would be more than (good) music--music that would establish a ...
The Van Gelder Sound: A Legacy of Jazz Recordings
by Brian Eaton
Rudy Van Gelder (a.k.a. RVG) was one of the most influential recording engineers in jazz. Largely self-taught, he was a true industry pioneer as one of the first well-known examples of an engineer operating a home recording studio and even constructing his own custom-built audio mixer in the early years. As an innovator and perfectionist, he ...
Héctor Lavoe: La Voz
by Rob Garratt
Craft Recordings have been on a roll of late, following 2021's excellently presented Ornette Coleman boxset, Genesis of Genius, with 2023's Contemporary Records Acoustic Sounds series and imminent Sonny Rollins set Go West!: The Contemporary Records Albums. So it is only natural that jazz-inclined audiophiles will start turning their attention to what other treasures the LA-based ...
Ben Rosenblum, Teodross Avery, John Taylor and Others
by Jerome Wilson
This show is a mixture of older and newer jazz, featuring current artists like Teodross Avery and Ben Rosenblum and names from the past such as John Taylor and Booker Little. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air ...
Where Clifford Brown Learned to Play: Love In A Wilmington Neighborhood
by Arthur R George
Part 1 | Part 2 Robert Boysie" Lowery was trumpeter Clifford Brown's first music instructor in the early 1940s, and mentored decades of young musicians thereafter in Wilmington, Delaware. He taught as a sideline to club work, a resource for his community but caring not so much about being paid for his lessons. That ...
Ray Vega & Thomas Marriott East West Trumpet Summit: Coast to Coast
by Paul Rauch
For some people, the whole notion of an east-west summit of anything in jazz brings up the perceived differences over time between American west coast jazz and its east coast counterpart. The basic premise is that jazz on the American west coast is a cousin to the cool jazz movement, a calmer, less soulful part of ...
3x3: Jazz Trios Playful and Pensive
by John Chacona
Can we finally retire the assertion that we are living in a Golden Age of the jazz piano trio? It seems like every month brings trio dates of such imagination and accomplishment as to render superlatives beside the point. These three recordings released in an eight-week period in Spring 2023 are a reminder that one of ...




