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A Conversation with Don Braden
by AAJ Staff
This interview was first published in two parts at All About Jazz on May 1999. In this interview, we chat with Don Braden about his views on MP3 files, his relationship with Bill Cosby, the impact Kenny Kirkland had on his latest album for RCA Victor, Fire Within, and a host of other related ...
A Conversation with Joe Chambers
by AAJ Staff
This interview was first published at All About Jazz on February 1999. We have always been quite puzzled as to why a musician that has worked alongside Eric Dolphy, Freddie Hubbard, Andrew Hill, Bobby Hutcherson, Joe Henderson, Sam Rivers, Wayne Shorter, Max Roach, Sonny Rollins, Tommy Flanagan, Charles Mingus, and Chick Corea would only ...
Our Man in Paris: An American Travelogue
by David Brown
For this week's show, let's travel to Europe with a variety of American artists performing in France, recording for French film soundtracks, and collaborating with French artists. Etes-vous prêt? Co-hosted by Lisa Jo Epstein. Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 06:10 Sidney Bechet “Ooh Boogie!" from Sidney Bechet ...
Count Basie: Late Night Basie
by Jack Bowers
Late Night Basie: great idea. Three tracks by the Basie Orchestra and four by other assorted groups: not-so-great idea. Enlisting Jazzmeia Horn to scat on the Basie classic “One O'Clock Jump": rather pointless. Compressing seven numbers (eight, actually) into a meager twenty-four--or perhaps more like twenty-eight--minutes (including a “bonus" track): head-scratching. Mind you, the other ensembles ...
Sonny Rollins: Go West! The Contemporary Records Albums
by Richard J Salvucci
Apparently, the median age of a jazz listener is in his or her mid to late 40s. So, perhaps, the representative listener was born in the mid-1970s. Sonny Rollins first recorded in 1949. The recordings reviewed here were made in the late 1950s, well before many contemporary listeners were born. While there have been ample reissues ...
Color Red Records: A Label, Sound, and Vision
by Chris M. Slawecki
When Eddie Roberts, leader of The New Mastersounds, moved to Denver, Colorado, in 2015, he discovered a local music scene that contributed to his vision for a new type of music organization: a label that would be more than a label, producing and releasing music that would be more than (good) music--music that would establish a ...
The Van Gelder Sound: A Legacy of Jazz Recordings
by Brian Eaton
Rudy Van Gelder (a.k.a. RVG) was one of the most influential recording engineers in jazz. Largely self-taught, he was a true industry pioneer as one of the first well-known examples of an engineer operating a home recording studio and even constructing his own custom-built audio mixer in the early years. As an innovator and perfectionist, he ...
Héctor Lavoe: La Voz
by Rob Garratt
Craft Recordings have been on a roll of late, following 2021's excellently presented Ornette Coleman boxset, Genesis of Genius, with 2023's Contemporary Records Acoustic Sounds series and imminent Sonny Rollins set Go West!: The Contemporary Records Albums. So it is only natural that jazz-inclined audiophiles will start turning their attention to what other treasures the LA-based ...
Ben Rosenblum, Teodross Avery, John Taylor and Others
by Jerome Wilson
This show is a mixture of older and newer jazz, featuring current artists like Teodross Avery and Ben Rosenblum and names from the past such as John Taylor and Booker Little. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air ...
Where Clifford Brown Learned to Play: Love In A Wilmington Neighborhood
by Arthur R George
Part 1 | Part 2 Robert “Boysie" Lowery was trumpeter Clifford Brown's first music instructor in the early 1940s, and mentored decades of young musicians thereafter in Wilmington, Delaware. He taught as a sideline to club work, a resource for his community but caring not so much about being paid for his lessons. That ...
