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My Best Jazz Experiences Through the Decades
by Larry Taylor
I've been a jazz fan since I was a teenager in the late forties, growing up in Southern California. From grammar school on, I listened to pop tunes of the day--the hit parade songs and big band music that were in the air on the radio. As I entered junior high, I became ...
Tobias Gebb & Unit 7: free at last
by Dan Bilawsky
New York-based drummer Tobias Gebb assembled a stellar cast for free at last. The format of Unit 7 follows the instrumentation tradition of Art Blakey's Jazz Messengers. The three-horn frontline and three-man rhythm section allows this group to sound bigger than it is at times, while also having the flexibility to make things more intimate. Gebb ...
Vincent Gardner: Three-Five
by George Kanzler
The title here refers to both trombonist Vincent Gardner's age and the time signatures (3/4 and 5/4) of the majority of the tracks on this CD. Gardner says the “idea for the date was to try these pieces in a different meter. It's amazing that when you drop a beat and take a tune usually played ...
Frencesco Diodati NEKO: Purple Bra
by Mark Corroto
The history of jazz has always favored the partnership of strong personalities, especially those of guitar and tenor saxophone collaborations. Memorable pairings have included: Jim Hall and Sonny Rollins, Bill Frisell and Joe Lovano, and Kurt Rosenwinkel and Mark Turner. Add to that list two Italian artists, guitarist Francesco Diodati and saxophonist Francesco Bigoni. ...
Bill Royston: The History of a Festival
by Lloyd N. Peterson Jr.
It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...
Mickey Roker: You Never Lose the Blues
by Victor L. Schermer
Drummer Mickey Roker is a mainstay and icon of the jazz world, having a played with Dizzy Gillespie, the Modern Jazz Quartet, Lee Morgan, and many of the other signature groups of modern jazz. Yet he has always maintained his Philadelphia roots, and is and has been a regular at Ortlieb's Jazzhaus in that ...
Sonny Rollins: Vol. 1
by Matt Marshall
Sonny Rollins Vol. 1 Blue Note / Music Matters 2009 (1956) Often lost and forgotten in the mix of spectacular albums saxophonist Sonny Rollins made for the Prestige label in 1956 (including “all-time" sets Saxophone Colossus and Tenor Madness) and his second Blue Note effort, Sonny Rollins Vol. 2 (1957), ...
Marion Brown: Why Not?
by Clifford Allen
Marion Brown Why Not? ESP-Disk 2009 (1966) While the term “fire music" has held sway as a descriptor of the music of post-John Coltrane/Albert Ayler saxophonists from the 1960s onward, it's long been an incomplete summation of the work of most of these musicians. Alto saxophonist Marion Brown ...
Francesco Cafiso Quartet: Angelica
by Dan McClenaghan
Angelica claims a spot as a superior quartet set--alto saxophone and a rhythm section--right at the very beginning, not with the Duke Ellington-penned title tune, but with a Billy Strayhorn gem, “A Flower is a Lovesome Thing." Italian saxophonist and jazz prodigy, Francesco Cafiso--just nineteen years old at the time this music was laid down--ignores the ...
Mike Mainieri: Man Behind Bars
by John Kelman
It's hard to imagine vibraphonist Mike Mainieri in his seventies. Not only does he look and sound like a man 10 years (or more) his junior, but a quick look at the projects he's been involved in over the past few years sound like anything but a septuagenarian resting on his not inconsiderable laurels.
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