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Roger Kellaway: Roger Kellaway Live at the Jazz Standard
by Andrew Velez
Pianist Roger Kellaway can swing hard and has played with everyone from Sonny Rollins to Joni Mitchell. His knowledge of music is encyclopedic and his pianism is instantly recognizable for its airy, sparkling quality, flowing from a singular skill he has to incorporate stride, swing, boogie and more into something totally modern. Long an in-demand sideman, ...
Mike Barone Big Band / North Texas Two O'Clock Lab Band / John Daversa Big Band
by Jack Bowers
Mike Barone Big Band Flight of the Bumblebee Rhubarb Recordings 2009 Flight of the Bumblebee is composer/arranger/trombonist Mike Barone's fifth big band album in as many years, and one can always deduce beyond the shadow of a doubt that he has some fresh and engaging insights to share. Barone's purpose ...
Gregory Thomas: Ain't But a Few of Us
by Willard Jenkins
Like most of the participants in our ongoing dialogue with African American music writers, Gregory Thomas has both feet and hands in several camps. Thomas' byline has been featured in numerous publications, including Salon.com, Guardian Observer (London), American Legacy, Africana.com, BlackAmericaWeb.com, Daily News (New York, NY), TBWT.com, Callaloo, The Village Voice, and others. He was the ...
Sonny Rollins
by AAJ Italy Staff
Roma Jazz Festival - 33^ edizione Auditorium - Sala Santa Cecilia - 11.11.2009 Sonny Rollins a Roma per la 33esima edizione del Festival Jazz. Come dire: un'occasione da non perdere per vedere dal vivo uno dei maggiori protagonisti della musica afroamericana del Novecento. È quello che devono aver pensato gli spettatori che lo scorso 11 novembre ...
An Environmental Benefit, Set to the Jazz of Sonny Rollins
WHEN Sonny Rollins lifts his legendary horn high and launches into Global Warming, listeners unfamiliar with his ironic sense of humor are sometimes confused. The cheerful melody sits comfortably atop a jaunty calypso beat and can seem at odds with the seriousness of the subject. But the confusion usually fades. As choruses of improvised commentary pour ...
Mark Guest: (Why We're) Happy Together
by Jack Huntley
Guitarist Mark Guest's (Why We're) Happy Together seems built upon a simple premise: deliver solid, hip playing with a tight ensemble feel and see where it leads. If that is near to Guest's motive, he fully lived up to the creed. The album covers a fair amount of harmonic territory, but always lays down a genuine ...
Christian McBride: Getting the Inside Straight
by Esther Berlanga-Ryan
If we think about it for a little while, it's possible to believe that there is something almost mystic and undeniably powerful about jazz. The way it developed through the years and its constant ignition-like energy; the creativity of those who lead the way and those who continue the journey today; the improvisation that takes over ...
Miles Davis, John Coltrane, Sonny Rollins: Celebrating Prestige's 60th Anniversary
by Chris May
In fall 2009, the Prestige label is celebrating its 60th Anniversary with a series of compilations and remasters. In October, the Side Steps box set was released, chronicling saxophonist John Coltrane's sideman legacy with the label. In November, there's a compilation of sessions recorded by trumpeter Miles Davis with saxophonist Sonny Rollins, The Classic Prestige Sessions ...
Lee Konitz In The 1980s
by Robert Iannapollo
Saxophonist Lee Konitz turned 82 in October 2009 and he's still going as strong and as steady as ever. He recently played a birthday duet concert with pianist Harold Danko. While the set included the usual standards there were also a couple of surprises such as the Konitz original “Kary's Trance." Konitz and Danko have a ...
Wayne Wallace: ¡Bien Bien!
by Bridget A. Arnwine
Trombonist Wayne Wallace and his Latin Jazz Quintet have come together on ¡Bien Bien!, representing the gamut of Latin music, from Latin jazz to cha cha cha, cu-bop, bolero, and bamba. Surrounded by the talents percussionist Michael Spiro, bassist David Belove, pianist Murray Low, and drummer Paul van Wageningen, Wallace manages to make the trombone sound ...
