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Album

The Royal Room Collective Music Ensemble

Label: Songlines Recordings
Released: 2015
Track listing: A Walk in the Rain; Forgiveness; Daylight; Trish; Barber Shop; Ironbound; Redux #2 (Daylight); Prepaid Funeral; First Light; Sweeter Than the Day; Disingenuous Firefight; At the Reception; Redux #4 (Sweeter Than the Day).

Album

Wish the Children Would Come on Home

Label: Songlines Recordings
Released: 2015
Track listing: Please Keep That Train Away from My Door; 9/8; Sweeter Than the Day; Interlude 1; Triads; The Band with Muddy; You Were Just Here; Interlude 2; The Circus Prospered; Home; Waltz from Woman of Tokyo; Interlude 3, Love, Love, Love; Barber Shop; The Store, The Campfire; Wish the Children Would Come on Home.

Album

Golden State II

Label: Songlines Recordings
Released: 2015
Track listing: The Arrangement of Unequal Things; Seven In Six/A Particularity with a Universal Resonance; A Kind of Resigned Indignation; Agency; Gleaning.

Album

Some Places Are Forever Afternoon (11 Places For Richard Hugo)

Label: Songlines Recordings
Released: 2015
Track listing: Money Or A Story; Those Who Remain Are The Worst; You Drink Until You Are Mayor; Nothing Dies As Slowly As A Scene; All Weather Is Yours No Matter How Vulgar?; The Beautiful Wives; For Jim And Lois Welch; In Some Other Home; The Car That Brought You Here Still Runs; Last Place There; You Must Have Stayed Hours; Some Places Are Forever Afternoon.

Album

Canada Day IV

Label: Songlines Recordings
Released: 2015
Track listing: After Several Snowstorms; Sometimes It's Hard to Get Dressed in the Morning; Let's Say It Comes in Waves; Life's Hurtling Passage Onward; What Can Be Set to the Side; What's Equal to What; Melio Melo.

Article: Album Review

Harris Eisenstadt: Canada Day IV

Read "Canada Day IV" reviewed by Vincenzo Roggero


Giunto al quarto capitolo della serie, il quintetto del batterista /compositore Harris Eisenstadt denominato Canada Day si conferma formazione di assoluto valore, forte di un sound personale e ben definito, dotato di grande pulizia e precisione, dalla chiara progettualità. Ci tornano alla memoria certi combo degli anni cinquanta orbitanti nella galassia del cosiddetto “Cool Jazz," da ...

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Article: Album Review

Harris Eisenstadt: Canada Day IV

Read "Canada Day IV" reviewed by Troy Collins


Canada Day has been drummer Harris Eisenstadt's flagship ensemble since its first gig on July 1, 2007--his homeland's national holiday, hence the band name. In the ensuing years the quintet has developed an identifiably cohesive sound that expertly balances avant-garde explorations and in-the-pocket swing, with only one significant personnel change; the bass chair is now filled ...

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Article: Album Review

Wayne Horvitz: Some Places Are Forever Afternoon

Read "Some Places Are Forever Afternoon" reviewed by Karl Ackermann


Poet and essayist Richard Hugo, a celebrated son of Seattle, was best known in his short life for his straight-forward but moving portrayals of the stark realities of the Pacific Northwest, both people and places. His works have previously been documented in print and on film and now by pianist/composer Wayne Horvitz who pays tribute to ...

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Article: Album Review

Waxwing: A Bowl Of Sixty Taxidermists

Read "A Bowl Of Sixty Taxidermists" reviewed by Dan Bilawsky


The second album from this Vancouver-based trio--originally going by Wilson/Lee/Bentley, now known as Waxwing--is a study in contrasts. Idiosyncratic miniatures sit shoulder to shoulder with statements of serenity, eerie constructs and macabre scenarios are quickly replaced with comforting sounds, and uncertainty peaks around every corner. But there's a distinctive group sound and aesthetic here that transcends ...

Article: Album Review

Wayne Horvitz: Some Places Are Forever Afternoon

Read "Some Places Are Forever Afternoon" reviewed by Stefano Merighi


La musica di Wayne Horvitz ha sempre comunicato un'identità ben definita, pur nella varietà delle sue declinazioni, affermate dai diversi gruppi che ne incarnano le sembianze. E uno dei principi tangibili di questa identità (nelle formazioni cameristiche o in quelle elettriche degli anni '80; nelle musiche più groovy o in quelle riflessive degli ultimi anni) è ...


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