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Article: Year in Review

I Dischi del 2025 secondo Ludovico Granvassu

Read "I Dischi del 2025 secondo Ludovico Granvassu" reviewed by Ludovico Granvassu


Immortalare la bellezza e la varietà del jazz pubblicato nel 2025 attraverso una “top ten" appare tanto arduo, vano--e alla fine deludente--quanto cercare di fotografare un tramonto sulla costiera amalfitana usando una rudimentale fotocamera digitale e facendo un forellino sul copriobiettivo. Certo, una foto verrà scattata. Potrebbe persino dimostrare che eri lì, in quel momento, quando ...

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Article: Year in Review

Ludovico Granvassu's Garden Of Jazzy Delights 2025

Read "Ludovico Granvassu's Garden Of Jazzy Delights 2025" reviewed by Ludovico Granvassu


Capturing the breathtaking beauty, range, and diversity of jazz released in 2025 through a list of “10 best albums" feels as challenging, vain--and ultimately disappointing--as trying to photograph the Grand Canyon at sunset by placing a pinhole in front of a rudimentary digital camera's lens. Sure, a picture will be taken. It might even prove you ...

Album

Solace of the Mind

Label: Red Hook Records
Released: 2025
Track listing: African Blues; Song for Mother E; Sensuous; Steal Away; Ode to my Ancestors; Voices; Hymn for John Lee Hooker; Twilight; Cairo; Beneath the Sun.

Article: Album Review

Amina Claudine Myers: Solace of the Mind

Read "Solace of the Mind" reviewed by Alberto Bazzurro


Un pianismo decisamente nero, peraltro senza alcun tipo di didascalismo o forzatura, è quanto ci arriva da questo nuovo lavoro, solitario, di Amina Claudine Myers, inciso alla fine di ottobre del 2023 e freschissimo di pubblicazione. Amina, classe 1942, come più o meno tutti sanno (o dovrebbero comunque sapere) è una delle figure di riferimento (al ...

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Article: Album Review

Amina Claudine Myers: Solace of the Mind

Read "Solace of the Mind" reviewed by Troy Dostert


One of the under-heralded legends of the jazz avant-garde, keyboardist Amina Claudine Myers is finally getting her due. An early member of the Association for the Advancement of Creative Musicians (AACM) in the mid-1960s, her efforts were sometimes overshadowed by outsized colleagues such as Muhal Richard Abrams, Lester Bowie, or Henry Threadgill. But recent years have ...


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