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Beppe Crovella: What’s Rattlin’ On The Moon? A Personal Vision Of The Music Of Mike Ratledge.
by Nic Jones
The sub-title makes all the difference here. Mike Ratledge was a key member of all the most worthwhile line-ups of Soft Machine, but alone amongst the quartet that consisted of himself, Elton Dean, Hugh Hopper and Robert Wyatt, he didn't go on to develop a solo career once he left the band. This and the passing ...
Eberhard Weber: Colours
by John Kelman
As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...
Soft Machine: Live At Henie Onstad Arts Centre 1971
by Nic Jones
Soft Machine Live at Henie Onstad Arts Centre 1971 Reel Recordings 2009Here's some heady stuff from what in 2010 feels like a golden era, dubious though that notion might be in reality. There's already ample evidence that the Mike Ratledge / Elton Dean / Hugh Hopper / Robert ...
Soft Machine: Live at Henie Onstad Arts Centre 1971
By Soft Machine
Label: Reel Recordings
Released: 2009
Track listing: CD1: Intro; Facelift; Virtually; Slightly All The Time; Fletcher's Blemish. CD2:
Neo-Caliban Grides; Out-Bloody-Rageous; Eammon Andrews; All White; Kings
and Queens; Teeth; Pigling Bland; Noisette.
Lizard (40th Anniversary Series)
by John Kelman
Often forgotten and sometimes maligned, Lizard is a King Crimson classic that's waited to be found for nearly 40 years. When it was first released in 1970, it was quickly overlooked as a transitional album between the group that recorded/released/toured its seminal debut, In the Court of the Crimson King (DGM Live, 1969) and the Crimson ...
Soft Machine: Live at Henie Onstad Arts Centre 1971
by John Kelman
Soft Machine Live at Henie Onstad Arts Centre 1971Reel Recordings2009 It's a curious thing, but live performances can be issued all the time in the jazz world without the suggestion that there are too many of them, while in the rock world the release of too many similar programs will ...
Fire!: You Liked Me Five Minutes Ago
by John Kelman
Mats Gustafsson and the word “accessible" are rarely found in the same sentence. For over two decades, this Swedish reed player has been mining the extreme end of free improvisation and cued composition with like-minded players including Peter Brötzmann, Ken Vandermark, and The Thing, his ongoing collective with bassist Ingebrigt Håker Flaten and drummer Paal Nilssen-Love. ...
Theo Travis: From Prog to Jazz and Back Again
by Bruce Lindsay
British musician Theo Travis has one of the most varied performing and recording histories to be found among contemporary jazz musicians. A talented saxophonist, flautist and composer, Travis has performed solo, in duos and quartets, in straight ahead jazz combos and in electronic, improvisational groups. He has performed live soundtracks in cinemas, ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
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