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About Ashwin Batish, Sitar, Tabla
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Ashwin Batish, Sitar, Tabla
Born:
Ashwin Batish is an extraordinary sitarist and tabla player. He received training in the North Indian classical tradition from his father S.D. Batish and later created his own unique fusion of Indian classical sitar with pop, rock, jazz, calypso, funk... an example of a few hybrids he excels at. He is famous for such songs as the Bombay Boogie, Raga Rock, Raga Jazz, Casbah Shuffle and Sitar Mania. His pioneering efforts in world beat music have earned him critical reviews and great respect in the music community.
Ashwin is also very well know for being an educator. His series of instructional videos for the sitar, tabla, dilruba, dholak, vichitra veena, harmonium that he has produced with his father Pandit Shiv Dayal Batish have become a very sought after commodity by the Indian music student
About Billy Joe Wiseman
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Billy Joe Wiseman
Billy Joe Wiseman is an undeniably talented guitarist, having gained industry recognition and a fan following for his chops as an award-winning independent performer, session guitarist for Virgin Artists, and Guitar Chair for both the Las Vegas Symphony Orchestra and Hilton Hotels. In addition to teaching and coaching the popular female pop band Haim, Billy Joe has accompanied countless artists across the globe, including Paula Abdul, Joe Sample, Maynard Ferguson, Charo, Tony Newton, Doc Severinsen, Gladys Knight, John Klemmer, Tom Jones, Wayne Newton, Ed Shaughnessy, Joe Williams, Louie Bellson, Brandon Fields, and slew of others
Anoushka Shankar: Music Makes the World a Better Place
by Nenad Georgievski
Esoteric, eclectic and prolific, the Indian sitarist and composer Anoushka Shankar has mapped out an intriguing artistic path by delivering intriguing music that has veered between the modern and the traditional. Her ambitious, progressive and multicultural musical world view has been growing exponentially from a record to record and has taken her on a path of ...
About Broto Roy
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Broto Roy
Born:
In the mid-‘80s, India-American composer and tabla percussionist Broto Roy (an EMI-India recording artist) began composing and recording a genre of music he calls “Raga-Jazz”, an amalgam of ancient Indian ragas (melodies), talas (rhythms) and western Jazz. His mastery over the complex, formalized rhythms of his native India combined with his deep appreciation and understanding of the Jazz idiom led the Washington Post to declare his music “spiritual and visceral”. He was Artist in Residence at the Kennedy Center’s inauguration of their Millennium Stage. His CD “Total Immersion” is only the second live recording sanctioned by the Kennedy Center for public release (the first was by Pavarotti)


